1958-1970 Gibson ES-335: The Definitive Guide to America's Most Versatile Semi-Hollow Electric Guitar

The Gibson ES-335 stands as one of the most influential and enduring electric guitar designs in history. From its revolutionary debut in 1958 through the end of the golden era in 1970, these semi-hollow body guitars represent the perfect marriage of hollow body warmth and solid body sustain. Whether you own a vintage ES-335 and are considering selling, or you're researching the authenticity and value of one you've inherited, this comprehensive guide will provide everything you need to know about identifying, dating, and valuing these legendary instruments.

Why the 1958-1970 ES-335 Era Matters

The original ES-335 production run from 1958 to 1970 represents Gibson's golden age before corporate changes affected quality and construction methods. These guitars were hand-built in Kalamazoo, Michigan, using premium materials and time-tested construction techniques that would later be compromised in the name of efficiency.

The ES-335's revolutionary design solved a fundamental problem that had plagued electric guitarists: hollow body guitars were prone to feedback at high volumes, while solid body guitars lacked the warm, woody resonance that many players craved. Ted McCarty and his team at Gibson created the ES-335 with a solid maple center block running through the middle of a laminated maple body, providing the sustain of a solid body while maintaining the acoustic properties of a hollow guitar.

Key factors that make 1958-1970 ES-335s special:

• Hand-selected woods and premium construction materials

• PAF (Patent Applied For) humbucking pickups through 1962

• Nitrocellulose lacquer finishes that age beautifully

• Hand-wound pickups with superior tonal characteristics

• Solid maple center blocks for enhanced sustain

• Pre-corporate manufacturing with attention to detail

Historical Development and Evolution (1958-1970)

The Birth of the ES-335 (1958-1959)

Gibson introduced the ES-335 in 1958 as part of a revolutionary new line of "thinline" semi-hollow guitars. The initial models featured the now-legendary PAF humbucking pickups, which had been developed by Seth Lover to combat the single-coil pickup's susceptibility to electromagnetic interference.

The earliest 1958 models are among the most coveted, featuring:

• Natural finish maple tops with stunning flame patterns

• Sunburst finish options with rich cherry red to yellow sunburst

• PAF pickups without the "Patent Applied For" stickers

• Single-bound body with cream celluloid binding

• Dot position markers in Brazilian rosewood fingerboards

The Classic Period (1960-1962)

The 1960-1962 period represents what many collectors consider the pinnacle of ES-335 production. During this era, Gibson had perfected the construction process while still maintaining the hand-crafted quality that made these guitars special.

Notable features of this period:

• Consistent PAF pickup quality with excellent tonal characteristics

• Introduction of the cherry red finish option in 1960

• Refined neck profiles that balanced playability with tone

• Premium Brazilian rosewood fingerboards

• High-quality hardware including ABR-1 bridges and stopbar tailpieces

The Transition Years (1963-1965)

The 1963-1965 period marked significant changes in Gibson's construction methods and corporate structure. These years saw the introduction of patent number pickups and changes in neck construction that would affect the instrument's tonal characteristics.

Changes during this period included:

• Introduction of patent number humbuckers (replacing PAFs)

• Changes in neck attachment methods

• Introduction of wider neck profiles in response to player requests

• Continued use of premium materials despite manufacturing changes

The Pre-Norlin Era (1966-1970)

The final years of the classic ES-335 era saw continued evolution while maintaining the core characteristics that made these guitars desirable. Although some collectors prefer the earlier years, the 1966-1970 models still represent excellent examples of Gibson craftsmanship.

Features of this late period:

• Patent number pickups with T-top construction

• Continued use of solid maple center blocks

• Introduction of block position markers in 1962 (continuing through this period)

• Various finish options including natural, sunburst, and cherry

• Maintenance of traditional construction methods before major corporate changes

  
  

Factors Affecting Value

Several specific factors significantly impact the value of vintage ES-335 guitars:

Originality Premium: All-original examples command 30-50% higher prices than modified instruments. Original cases, pickguards, and hardware add significant value.

Finish Rarity: Natural finish models typically bring premium prices, especially those with exceptional maple tops. Cherry finishes from the early 1960s are also highly prized.

Pickup Configuration: PAF-equipped models (1958-1962) command significant premiums over later patent number pickup guitars.

Provenance: Documented ownership history, especially celebrity connections, can add substantial value to already rare instruments.

Comprehensive Identification and Dating Guide

Properly identifying and dating a vintage ES-335 requires examination of multiple features, as no single characteristic is completely reliable due to production variations and parts overlaps between years.

Serial Number Dating

Gibson serial numbers for ES-335 guitars follow specific patterns that can help narrow the production date:

1958-1960: Serial numbers typically range from A-28000 to A-36000 1961-1962: Serial numbers range approximately from 100-42000 1963-1969: Serial numbers follow a six-digit format starting around 100000 1970: Serial numbers typically begin with 900000+

Important Note: Serial numbers alone are not definitive for dating Gibson guitars, as there was significant overlap between years and some serial number reuse. Always cross-reference with other dating features.

Potentiometer Date Codes

Potentiometer codes provide one of the most reliable methods for dating vintage ES-335 guitars. The format typically follows: manufacturer code + year + week.

Common Manufacturers:

• 134 = CTS (Chicago Telephone Supply)

• 137 = CTS

• 304 = Stackpole

• 140 = Clarostat

Reading the Codes:

• 1347220 = CTS pot from 1972, 20th week (not applicable to our 1958-1970 range)

• 1375847 = CTS pot from 1958, 47th week

• 1376115 = CTS pot from 1961, 15th week

Pickup Identification and Dating

Pickup identification is crucial for determining authenticity and value in vintage ES-335 guitars.

PAF Pickups (1957-1962):

• "Patent Applied For" stickers on pickup backs

• Stickers often missing but pickup construction remains distinctive

• Typical resistance: 7.5k-9.5k ohms

• Long magnet construction

• Unpotted windings for enhanced harmonic response

• Black pickup rings

Patent Number Pickups (1962-1970):

• "Patent No. 2,737,842" stamped on pickup backs

• Later models feature T-Top construction with different magnet types

• Slightly higher output than PAFs

• Potted windings reduce microphonic feedback

• Chrome pickup covers standard

Hardware Dating

Hardware components provide additional clues for dating vintage ES-335 guitars:

Bridges:

• ABR-1 bridges (1958-1975) with no wire retainer

• Saddle construction and plating can indicate manufacturing period

• Original bridges show wear patterns consistent with age

Tailpieces:

• Stopbar tailpieces standard throughout the era

• Bigsby vibrato optional and adds value when original

• Stud mounting and thread patterns evolved over time

Tuners:

• Kluson tuners standard through most of the era

• Single-line Kluson stamp typical of early years

• Double-line stamps appeared in later years

• Grover tuners sometimes substituted by Gibson

Body and Neck Construction Details

Center Block Construction: All vintage ES-335 guitars feature solid maple center blocks, but construction methods evolved:

• Early models: Hand-fitted blocks with careful attention to acoustic properties

• Later models: More standardized block dimensions and fitting

Neck Attachment:

• Long tenon construction through 1969

• Shorter tenon introduced in 1970

• Glue joint quality affects tone and sustain

Fingerboard Materials:

• Brazilian rosewood (1958-1965): Darker, denser, with distinctive grain patterns

• Indian rosewood (1965-1970): Lighter color, different grain characteristics

• Binding materials and inlay quality indicators of manufacturing period

Position Markers and Inlays

Position marker styles help date vintage ES-335 guitars:

Dot Markers (1958-1961):

• Small pearl dots at 3rd, 5th, 7th, 9th, 12th, 15th, 17th, 19th, and 21st frets

• Double dots at 12th fret

• Dots inlaid directly into rosewood fingerboard

Block Markers (1962-1970):

• Rectangular pearl block inlays

• Larger, more visible than dot markers

• Different cutting and installation techniques over the years

Finish Identification

Understanding original finishes helps authenticate vintage ES-335 guitars:

Sunburst Finish:

• Cherry red to yellow sunburst pattern

• Hand-sprayed nitrocellulose lacquer

• Natural aging creates amber tones in clear areas

• Check for overspray evidence of refinishing

Natural Finish:

• Clear nitrocellulose over maple

• Ages to honey amber color

• Maple flame becomes more pronounced with age

• Premium option throughout the era

Cherry Finish:

• Introduced around 1960

• Solid cherry red color

• Fades to lighter tones with UV exposure

• Highly sought after by collectors

Detailed Physical Specifications

Understanding the physical specifications of vintage ES-335 guitars helps with identification and authentication.

Body Dimensions and Construction

Overall Length: 40 inches Body Width: 16 inches Body Depth: 1.75 inches Scale Length: 24.75 inches Nut Width: 1.69 inches (typical, with some variation)

Body Construction:

• Laminated maple top, back, and sides

• Solid maple center block

• F-holes cut before center block installation

• Single cream binding around top edge

• Natural maple interior visible through f-holes

Neck Specifications

Neck profiles evolved throughout the vintage era, affecting both playability and tone:

1958-1960: Medium C-profile, comfortable for most players 1961-1962: Slimmer profile, faster playing feel 1963-1965: Wider, fuller profiles in response to player requests 1966-1970: Varied profiles, some approaching earlier fuller dimensions

Fretboard Radius: 12 inches (flatter than contemporary Fender guitars) Fret Wire: Medium jumbo wire, hand-installed and dressed Number of Frets: 22 frets, accessible to 20th fret in playing position

Weight and Balance

Vintage ES-335 guitars typically weigh between 7.5 and 9.5 pounds, with most examples falling in the 8-9 pound range. The solid maple center block contributes significantly to the overall weight while providing the sustain characteristics that distinguish the ES-335 from fully hollow guitars.

Weight variations result from:

• Different wood densities in maple components

• Varying center block dimensions

• Hardware differences (Bigsby vs. stopbar)

• Finish thickness variations

Tonal Characteristics and Sound Profile

The vintage ES-335 occupies a unique sonic space that has made it indispensable to musicians across multiple genres. Understanding the tonal characteristics helps explain why these guitars remain highly sought after by both collectors and players.

The Semi-Hollow Advantage

The ES-335's semi-hollow construction creates a distinctive tonal signature:

Acoustic Resonance: The hollow wings provide woody warmth and natural compression that solid body guitars cannot achieve. This resonance adds complexity to both clean and overdriven tones.

Sustain Characteristics: The solid maple center block eliminates the feedback issues common with fully hollow guitars while providing the sustain and clarity associated with solid body construction.

Dynamic Response: The combination of hollow and solid construction creates exceptional touch sensitivity, allowing players to control tone through picking attack and technique.

PAF vs. Patent Number Pickup Differences

The evolution from PAF to patent number pickups significantly affected the tonal character:

PAF Pickups (1958-1962):

• Lower output with exceptional clarity and note separation

• Complex harmonic content due to unpotted windings

• Natural compression and musical feedback characteristics

• Cream or white pickup covers that age to warm ivory tones

Patent Number Pickups (1962-1970):

• Slightly higher output suitable for emerging rock styles

• Potted windings reduce microphonic feedback

• More focused midrange response

• Chrome pickup rings became standard

Genre Versatility

The ES-335's tonal flexibility has made it a favorite across musical styles:

Jazz Applications: The warm, woody tone with natural compression makes it ideal for chord-melody playing and smooth lead lines. The neck pickup position provides the warm, mellow tones jazz players prefer.

Blues Usage: The combination of hollow body warmth and solid body clarity creates perfect blues tones. The guitar responds beautifully to tube amp overdrive while maintaining note definition.

Rock Applications: Despite its hollow construction, the ES-335 handles high-gain situations better than fully hollow guitars. Many rock legends have relied on ES-335s for both rhythm and lead work.

Country Music: The bright, clear tones and excellent string separation make the ES-335 suitable for country applications, particularly in positions 2 and 4 of the pickup selector.

Famous Players and Notable Recordings

The ES-335's versatility has attracted legendary players across multiple generations and genres. Understanding the instrument's role in popular music helps explain its enduring appeal and market value.

Blues and R&B Pioneers

B.B. King: Perhaps the most famous ES-335 player, B.B. King's "Lucille" was actually a Gibson ES-355 (the upscale version of the ES-335), but his playing style helped establish the semi-hollow guitar's role in blues music.

Freddie King: Used ES-345s and ES-355s extensively, helping define the Chicago blues sound of the 1960s.

Albert King: His Gibson Flying V was famous, but he also recorded significant material with ES-335 family guitars.

Rock Legends

Eric Clapton: Used ES-335s during his Cream period, most notably the famous "Fool" painted guitar. His use of these guitars during the psychedelic era helped establish their rock credibility.

Alvin Lee: Ten Years After's Alvin Lee made the ES-335 a rock icon with his high-energy performances, most famously at Woodstock.

Dave Grohl: Foo Fighters' leader has used various ES-335s for recording and live performances, bringing the guitar into modern rock contexts.

Jazz Masters

Larry Carlton: One of the most influential ES-335 players in jazz-fusion, Carlton's smooth, sophisticated tone helped define the guitar's role in contemporary jazz.

Lee Ritenour: Another master of the jazz-fusion ES-335 sound, demonstrating the guitar's capabilities in complex harmonic contexts.

Alternative and Indie Rock

Noel Gallagher: Oasis guitarist's use of ES-335s helped introduce the guitar to a new generation of alternative rock fans.

Dan Auerbach: The Black Keys' guitarist has brought vintage ES-335 tones to modern garage rock and blues-rock.

Common Issues and Red Flags

When evaluating a vintage ES-335, certain issues commonly affect both playability and value. Understanding these problems helps buyers and sellers make informed decisions.

Structural Issues

Neck Joint Problems:

• Loose neck joints affect sustain and intonation

• Look for gaps between neck and body

• Professional reset may be necessary but affects originality

• Proper neck angle is crucial for optimal string height

Headstock Repairs:

• Headstock breaks are relatively common due to the angled headstock design

• Professional repairs can be nearly invisible but always affect value

• Look for finish inconsistencies around the nut and tuner areas

• X-ray examination may be necessary for definitive identification

Center Block Issues:

• Rarely encountered but potentially serious

• Listen for rattling or loose components inside the body

• Professional inspection may require partial disassembly

Finish Problems

Checking and Crazing:

• Natural aging of nitrocellulose lacquer creates fine line patterns

• Acceptable and expected on vintage instruments

• Excessive checking may indicate poor storage conditions

• Deep cracks that affect wood require professional attention

Refinishing Red Flags:

• Overspray in binding areas indicates refinishing

• Color inconsistencies, especially in sunburst patterns

• Artificial aging attempts often visible under close inspection

• Original finish wear patterns differ from simulated aging

UV Damage:

• Cherry finishes fade to lighter tones with sun exposure

• Uneven fading indicates prolonged directional light exposure

• Some fading is acceptable and even desirable to collectors

• Extreme fading significantly affects value

Hardware and Electronics Issues

Pickup Problems:

• PAF pickups may have damaged or missing stickers

• Coil separation in vintage humbuckers requires rewinding

• Pickup height adjustments affect both tone and appearance

• Non-original pickups dramatically reduce value

Bridge and Tailpiece Wear:

• String grooves in bridge saddles indicate heavy use

• Broken or bent saddles require replacement

• Tailpiece stud holes may be enlarged from over-tightening

• Chrome plating loss is common but affects appearance

Tuner Replacement:

• Many vintage guitars have replacement tuners

• Original Kluson tuners add significant value

• Modern tuner installations may require headstock modification

• Tuner button materials and colors should match the era

Electronics Modifications

Wiring Harnesses:

• Original wiring adds value but may need professional service

• Replacement components should match vintage specifications

• Modified electronics require documentation of changes

• Some modifications (like coil tapping) may be reversible

Pickup Routing:

• Enlarged pickup cavities indicate modifications

• Mini-humbucker installations were common modifications

• Original cavity dimensions should match specifications

• Reversible modifications maintain higher values

Authentication and Avoiding Counterfeits

The high value of vintage ES-335 guitars has unfortunately led to various forms of counterfeiting and misrepresentation. Understanding authentication techniques protects both buyers and sellers.

Documentation Verification

Serial Number Verification:

• Cross-reference serial numbers with multiple dating sources

• Be aware that serial number reuse occurred in some periods

• Serial numbers alone are insufficient for authentication

• Look for consistent aging in stamped numbers

Factory Records:

• Gibson shipping ledgers exist for some periods

• Factory order numbers may provide additional verification

• Original dealer documentation adds significant value

• Warranty cards and original receipts are highly valuable

Physical Examination Techniques

Wood Grain Matching:

• Maple tops should show consistent grain patterns

• Back and sides grain should flow naturally

• Center block material should match specifications

• Wood types and colors should match the era

Hardware Authentication:

• Period-correct plating and wear patterns

• Proper thread patterns and mounting methods

• Age-appropriate materials and construction techniques

• Consistent patina and aging across all components

Finish Analysis:

• Nitrocellulose lacquer has distinctive aging characteristics

• UV light examination can reveal refinishing

• Microscopic examination shows original application patterns

• Color depth and transparency indicate original finishes

Professional Authentication Services

Given the high values involved, professional authentication is often worthwhile:

Expert Appraisers:

• Certified appraisers specializing in vintage guitars

• Written authentication reports for insurance purposes

• Photographic documentation of key features

• Market value assessments based on current conditions

Scientific Analysis:

• X-ray examination for internal modifications

• UV fluorescence testing for finish authenticity

• Microscopic analysis of wear patterns and aging

• Wood species identification when necessary

Investment Potential and Market Trends

Understanding market trends helps both buyers and sellers make informed decisions about vintage ES-335 guitars.

Historical Price Appreciation

Vintage ES-335 values have consistently outpaced inflation and many traditional investments:

1990s Values: Top examples sold for $5,000-$8,000 2000s Growth: Values doubled during this decade 2010s Acceleration: Significant appreciation as baby boomers reached peak earning years 2020s Surge: Pandemic-driven interest in vintage instruments created unprecedented demand

Market Driving Factors

Generational Wealth Transfer:

• Baby boomer collectors entering retirement

• Inherited instruments entering the market

• Younger collectors seeking iconic instruments

• Investment diversification into tangible assets

Celebrity Influence:

• High-profile sales create market awareness

• Famous player associations drive demand

• Media coverage increases general interest

• Auction results establish new price levels

Supply and Demand Dynamics:

• Fixed supply of vintage instruments

• Increasing global collector base

• Institutional investment in vintage guitars

• Rarity premium for exceptional examples

Future Outlook

Several factors suggest continued strength in the vintage ES-335 market:

Rarity Factor: The limited production numbers from 1958-1970 ensure continued scarcity Musical Relevance: The ES-335's versatility keeps it relevant across changing musical styles Build Quality: The superior construction of vintage examples becomes more apparent over time Cultural Significance: The guitar's role in popular music history ensures lasting appeal

Selling Your Vintage ES-335

If you own a vintage ES-335 and are considering selling, understanding the process and options available will help maximize your return while ensuring a smooth transaction.

Why Choose Edgewater Guitars

Edgewater Guitars specializes in purchasing premium vintage instruments and offers several advantages over other selling methods:

Premium Valuations: Our expertise in vintage guitar markets allows us to recognize value that other buyers might miss. We consistently pay 30-40% more than typical guitar shops for quality vintage ES-335 guitars.

Expert Authentication: Our team includes specialists in vintage Gibson guitars who can properly authenticate and value your instrument. This expertise ensures you receive fair compensation for original features and rarity factors.

Immediate Payment: Unlike consignment or auction sales, we provide immediate cash payment upon agreement. This eliminates the uncertainty and waiting periods associated with other selling methods.

Professional Handling: We understand both the monetary and sentimental value of vintage instruments. Our white-glove service ensures your guitar is treated with the respect it deserves throughout the evaluation and transaction process.

The Edgewater Selling Process

Initial Contact: Contact us through our website or call (440) 219-3607 to discuss your vintage ES-335. We'll gather basic information about your instrument and provide an initial assessment.

Professional Evaluation: For high-value instruments, we offer in-person evaluations throughout Ohio, Michigan, Pennsylvania, Indiana, and West Virginia. This allows for thorough examination of all authenticity factors and condition details.

Immediate Offer: Based on our evaluation, we provide an immediate cash offer that reflects current market conditions and the specific characteristics of your instrument. Our offers are firm and don't require lengthy negotiations.

Secure Transaction: We handle all aspects of the transaction, including secure payment methods, insurance, and transportation if necessary. You can be confident that your valuable instrument is protected throughout the process.

Preparing Your ES-335 for Sale

To maximize the value of your vintage ES-335, consider these preparation steps:

Documentation Assembly:

• Gather any original documentation (receipts, warranties, certificates)

• Compile any known history or provenance information

• Locate original case and accessories if available

• Prepare clear, detailed photographs of the instrument

Professional Setup:

• Ensure the guitar is in optimal playing condition

• Address any minor maintenance issues that might affect evaluation

• Clean the instrument carefully with appropriate products

• Allow professional assessment of any needed repairs

Comparing Selling Options

Understanding alternative selling methods helps illustrate Edgewater's advantages:

Local Guitar Shops:

• Typically offer 40-60% of retail value

• Limited expertise in vintage authentication

• May not recognize rare features or premium finishes

• Often require consignment arrangements with uncertain timelines

Online Marketplaces:

• Require detailed photography and descriptions

• Subject to platform fees and payment delays

• Risk of shipping damage or fraud

• Time-intensive process with no guaranteed sale

Auction Houses:

• Appropriate only for the highest-value examples

• Subject to seller's premiums and lengthy consignment periods

• No guaranteed minimum returns

• Limited to specific sale dates and catalogs

Private Sales:

• Require extensive marketing and screening of buyers

• Authentication and payment verification challenges

• Time-intensive showing and negotiation process

• Personal safety and security concerns

Related Vintage Gibson Models

Understanding related Gibson semi-hollow models helps provide context for ES-335 values and characteristics.

ES-345 Stereo

The ES-345 featured stereo wiring and a varitone circuit, representing Gibson's attempt to expand the semi-hollow concept with additional electronics. These guitars share the same basic construction as the ES-335 but included:

• Six-position varitone switch for tonal variation

• Stereo output capability

• Split diamond inlays instead of dots or blocks

• Generally higher original retail prices

Current values for vintage ES-345 guitars often parallel ES-335 prices, with some models commanding premiums for their unique electronic features.

ES-355 Luxury Model

The top-of-the-line ES-355 included premium appointments and electronics:

• Ebony fingerboard with elaborate inlay work

• Gold-plated hardware throughout

• Stereo wiring and varitone circuit

• Multiple binding on body and neck

• Bigsby vibrato standard on many examples

ES-355 values typically exceed comparable ES-335 guitars due to their premium appointments and lower production numbers.

ES-330 Fully Hollow

The ES-330 represented a different approach to semi-hollow design:

• Fully hollow construction without center block

• P-90 single-coil pickups instead of humbuckers

• Thinner neck joint construction

• Different tonal characteristics emphasizing acoustic resonance

While not directly comparable to ES-335 guitars, the ES-330 provides insight into Gibson's exploration of semi-hollow concepts.

Expert Resources and Further Reading

Continued research and education help both buyers and sellers stay informed about vintage ES-335 guitars.

Essential Reference Books

"50 Years of the Gibson ES-335" by Tony Bacon: Comprehensive coverage of the model's development and variations throughout its production history.

"Gibson's Fabulous Flat-Top Guitars" by Eldon Whitford: While focused on acoustic guitars, this book provides valuable insight into Gibson's manufacturing techniques and corporate history.

"Gruhn's Guide to Vintage Guitars" by George Gruhn and Walter Carter: The definitive reference for authentication and dating of vintage instruments, including detailed ES-335 specifications.

Online Resources

Gibson Serial Number Database: Official Gibson resources for serial number dating and specification verification.

Vintage Guitar Magazine: Regular market reports and feature articles about vintage ES-335 guitars and market trends.

Guitar Forums and Communities: Specialized forums dedicated to vintage Gibson guitars provide access to collector knowledge and experiences.

Professional Appraisal Services

For insurance or estate planning purposes, professional appraisal services provide certified valuations:

• Certified musical instrument appraisers

• Insurance company approved valuators

• Estate planning specialists familiar with vintage instruments

Conclusion: The Enduring Appeal of Vintage ES-335 Guitars

The Gibson ES-335 from 1958-1970 represents one of the most successful and influential electric guitar designs in history. These instruments solved fundamental problems that had limited earlier electric guitars while creating new sonic possibilities that continue to inspire musicians across all genres.

For collectors, the vintage ES-335 offers the perfect combination of playability, tonal versatility, and investment potential. The guitars' role in popular music history ensures continued relevance, while their superior construction quality becomes more apparent as modern manufacturing techniques prioritize efficiency over craftsmanship.

Whether you're researching an inherited instrument, considering adding a vintage ES-335 to your collection, or evaluating your options for selling, understanding the factors that affect authenticity, condition, and value will help you make informed decisions in this dynamic market.

The team at Edgewater Guitars stands ready to assist with expert authentication, fair valuation, and professional transactions for vintage ES-335 guitars throughout the Midwest region. Our commitment to excellence and deep knowledge of vintage guitar markets ensures that both buyers and sellers receive the expertise and service these legendary instruments deserve.

Contact Edgewater Guitars today at (440) 219-3607 or through our website to discuss your vintage ES-335. Whether you're seeking a professional evaluation, market analysis, or immediate purchase offer, our team of experts is ready to provide the specialized service that vintage guitar enthusiasts expect and deserve.

Ready to sell your vintage Gibson ES-335? Get your free, no-obligation valuation today. We serve guitar owners throughout Ohio, Michigan, Pennsylvania, Indiana, and West Virginia with the expertise and fair pricing that make us the Midwest's premier vintage guitar buyers.