Sunburst Guitar Identification: Complete Guide to Dating & Valuing Your Sunburst Finish Guitar

Quick Answer: A sunburst guitar finish features a darker outer edge that gradually transitions to a lighter center, creating a "burst" effect. Two-tone sunbursts (yellow/brown or yellow/amber) indicate Fender guitars from 1954-1958, while three-tone sunbursts (red/yellow/brown) indicate Fender guitars from 1958+ or Gibson guitars from 1958-1960+. Cherry sunburst typically indicates Gibson Les Paul Standards from 1958-1960, which are among the most valuable guitars ever made ($200,000-$750,000+). Faded sunbursts (where red has turned to yellow/honey) are often MORE valuable than unfaded examples because they confirm authentic vintage nitrocellulose finishes. The sunburst style, color combination, and fading pattern help identify the guitar's manufacturer, model, and era—even without seeing brand names or serial numbers.

If you're trying to identify a guitar and the most obvious thing about it is the sunburst finish—that distinctive dark-to-light gradient that "bursts" from the edges toward the center—you're actually holding one of the most important clues to the guitar's identity and potential value.

Many people who inherit guitars or find them in storage describe them by color first: "I have a yellow and red guitar," "It's brown and orange," or "It looks like a sunset finish." What you're describing is a sunburst finish, and the specific type of sunburst can tell you whether you're holding a $500 guitar or a $500,000 guitar.

This comprehensive guide will teach you how to identify any sunburst guitar by its finish characteristics, understand what the colors and patterns mean, determine the guitar's age and manufacturer from the sunburst style, and assess whether your sunburst guitar might be extremely valuable.

At Edgewater Guitars, we've authenticated hundreds of vintage sunburst guitars throughout Ohio and the Midwest. We've seen everything from million-dollar 1959 "burst" Les Pauls to common modern sunburst guitars, and we've learned to identify guitars instantly from their sunburst characteristics. This guide shares that expertise.

What you'll learn:

• What sunburst finishes are and why they're used

• The difference between two-tone and three-tone sunbursts

• How to identify vintage vs. modern sunburst finishes

• Why some faded sunbursts are MORE valuable than perfect examples

• Cherry sunburst, tobacco burst, honey burst, and other variations explained

• Which sunburst guitars are worth $100,000+

• How to authenticate original vs. refinished sunbursts

• Real case studies of valuable sunburst guitars

Let's start by understanding exactly what you're looking at.

What Is a Sunburst Finish?

A sunburst finish is a graduated color pattern that transitions from dark edges to a lighter center, mimicking the appearance of a sunset or the sun's rays bursting outward. This distinctive finish has been used on guitars since the 1930s and remains one of the most iconic and valuable guitar finishes ever created.

Why Manufacturers Use Sunburst Finishes

Historical reasons for sunburst finishes:

1. Wood grain enhancement:

• Darker edges frame the guitar's shape

• Lighter center showcases figured wood (flame, quilt)

• Creates visual depth and dimension

• Highlights craftsmanship

2. Cost savings (original reason):

• Early manufacturers used sunburst to hide wood imperfections at edges

• Lower-grade wood at body edges concealed by dark stain

• Premium wood in center remained visible

• More economical than solid exotic wood bodies

3. Aesthetic appeal:

• Timeless, elegant appearance

• Complements stage lighting

• Photographs well

• Distinctive without being flashy

4. Tradition and heritage:

• Associated with "golden era" of guitar manufacturing

• Collectors prefer vintage-style finishes

• Companies continue tradition for authenticity

The Anatomy of a Sunburst Finish

A typical sunburst consists of three zones:

Outer edge (darkest):

• Usually dark brown, black, or deep red

• Frames the entire body perimeter

• Approximately 1-2 inches wide around edge

• Provides contrast and definition

Middle transition zone:

• Gradient blending from dark to light

• Where the "burst" effect occurs

• Critical area for identifying sunburst type

• Quality of blend indicates craftsmanship

Center area (lightest):

• Natural wood tone or light amber/yellow

• Largest area of guitar body

• Wood grain most visible here

• May show figured maple on premium guitars

Key identification point: The exact colors used, the number of colors, and how they're blended tells you the manufacturer, era, and often the specific model.

Two-Tone vs. Three-Tone Sunbursts: The Critical Difference

Understanding the difference between two-tone and three-tone sunbursts is your first step in guitar identification—and potentially your first clue to significant value.

Two-Tone Sunburst (1930s-1958)

Color scheme:

• Dark outer edge: Brown, dark amber, or near-black

• Light center: Yellow, natural blonde, or light amber

• NO RED in the finish

• Transition from brown to yellow only

Which guitars have two-tone sunbursts:

Fender guitars (1954-1958):

• Stratocasters from 1954-early 1958

• Telecasters from 1950s

• Precision Bass models

• Jazzmaster (earliest examples)

Gibson acoustic guitars (1930s-1950s):

• Pre-war acoustics

• Some J-45 models

• Various flat-top models

Why two-tone matters: If you have a solid-body electric Fender-style guitar with two-tone sunburst (no red), it's from 1954-1958—the most valuable pre-CBS Fender era. These guitars are worth $15,000-$45,000+ in original condition.

Visual identification:

• Look at the transition zone

• Two-tone goes: Dark brown → Medium brown → Light amber → Yellow center

• Smooth gradient with no red tones anywhere

• Often appears more "vintage" or "aged" looking

Three-Tone Sunburst (1958-Present)

Color scheme:

• Dark outer edge: Dark brown or black

• Middle zone: RED (the key addition)

• Light center: Yellow or amber

• Three distinct color zones

Which guitars have three-tone sunbursts:

Fender guitars (1958-present):

• Stratocasters from mid-1958 onward

• Telecasters from late 1950s onward

• Jazz Bass, Precision Bass

• Most Fender models from 1958+

Gibson electric guitars (1958-present):

• Les Paul Standard "burst" (1958-1960)

• SG models

• ES-335 and ES series

• Most Gibson electrics

Why three-tone matters: The addition of red in 1958 is a critical dating marker for Fender guitars. However, for Gibson, the specific shade and quality of the red/cherry layer determines whether you have a $5,000 guitar or a $500,000 guitar.

Visual identification:

• Look for red layer between brown edge and yellow center

• Three-tone goes: Dark brown → Red → Orange-yellow → Yellow center

• Red band typically 1-2 inches wide

• Creates more dramatic, colorful appearance

Quick Two-Tone vs. Three-Tone Identification

Look at your guitar's sunburst:

✓ See only brown and yellow = Two-tone = Pre-1958 likely ✓ See brown, RED, and yellow = Three-tone = 1958+ likely ✓ Red has faded to orange-yellow = Three-tone vintage, but faded ✓ Cherry red dominates the finish = Gibson "cherry sunburst" = potentially very valuable

Cherry Sunburst: The Million-Dollar Finish

If your guitar has a cherry sunburst finish—meaning the predominant color is cherry red graduating to yellow/honey in the center—you may be holding one of the most valuable guitars in existence.

What Is Cherry Sunburst?

Cherry sunburst specifically refers to Gibson Les Paul Standard finishes from 1958-1960:

Appearance when new (1958-1960):

• Vibrant cherry red outer areas

• Transitions through orange-red

• Fades to yellow or amber center

• Dark brown or black outer edge binding

• Transparent finish showing flame maple underneath

The official name:

• Factory designation: "Cherry Sunburst"

• Collectors call them: "Bursts" or "Flame Tops"

• Faded examples: "Honey Burst," "Lemon Burst," "Tobacco Burst"

Why Cherry Sunburst Les Pauls Are So Valuable

1959 Gibson Les Paul Standards in cherry sunburst are the most valuable mass-produced guitars ever made. Here's why:

Historical significance:

• Made only 1958-1960 (short production run)

• Discontinued in 1961 as "unsuccessful"

• Rediscovered by British blues guitarists mid-1960s

• Used by legendary players (Clapton, Page, Green, Bloomfield)

• Represent peak of Gibson craftsmanship

Construction quality:

• Figured maple tops (flame, curl patterns)

• One-piece mahogany backs

• PAF (Patent Applied For) humbucker pickups

• Hand-applied nitrocellulose lacquer

• Long-tenon neck joints

• Premium old-growth woods

Rarity:

• Approximately 1,700 total "burst" Les Pauls made 1958-1960

• Many lost, destroyed, or heavily modified

• Perhaps 600-800 remain in all-original condition

• Each surviving example becomes scarcer annually

Current values (2025):

• 1958 Les Paul Standard: $250,000-$400,000

• 1959 Les Paul Standard: $350,000-$750,000+

• 1960 Les Paul Standard: $200,000-$400,000

Condition and flame pattern dramatically affect value within these ranges.

Identifying Cherry Sunburst Les Pauls

If you have a guitar with cherry sunburst finish, look for these Gibson Les Paul indicators:

Body characteristics:

• Carved maple top (visible arch across body)

• Single cutaway on bass side (left when facing guitar)

• Approximately 9 lbs weight (some lighter, some heavier)

• Two humbucker pickups with chrome or nickel covers

• Bound body edge with cream/white binding

Headstock features:

• "Gibson" in script logo

• Crown inlay above logo (higher-end models)

• Angled headstock (tilts back from neck)

• Serial number on back of headstock (1950s-1960s)

• "Les Paul Model" or "Les Paul Standard" designation

Hardware:

• Tune-o-matic bridge (ABR-1 style)

• Stop tailpiece (aluminum on vintage)

• Two volume, two tone knobs (gold or amber colored)

• Three-way toggle switch

• Trapezoid or dot fretboard inlays

Cherry sunburst indicators:

• Transparent finish (wood grain clearly visible)

• Flame or figure in maple top visible through finish

• Color may have faded over decades

• Fine checking/crazing in finish (proves age)

CRITICAL: If you believe you have a 1958-1960 cherry sunburst Les Paul, STOP. Do not clean it, modify it, or take it anywhere except to a professional vintage guitar specialist. Contact Edgewater Guitars immediately at (440) 219-3607 for authentication.

Understanding Sunburst Fading: Why Yellow Bursts Are Worth More

One of the most misunderstood aspects of vintage sunburst guitars is fading—many people think faded finishes reduce value, when the opposite is often true.

The Science of Sunburst Fading

Vintage sunbursts were finished with nitrocellulose lacquer and aniline dyes:

Nitrocellulose lacquer properties:

• Thin, transparent finish

• Allows wood to breathe and resonate

• Ages and reacts to UV light over time

• Develops natural checking (fine crackling)

Aniline dye properties:

• Transparent organic dyes

• Highly reactive to ultraviolet light

• Red pigments fade faster than others

• Yellow pigments remain stable

What happens over 50-70 years:

1. UV exposure breaks down red dye molecules

2. Red gradually fades to orange, then yellow

3. Yellow pigments remain largely unchanged

4. Brown/black edges remain relatively stable

5. Final result: "Honey burst" or "lemon burst" appearance

Fading Patterns and What They Mean

The specific fading pattern authenticates vintage guitars:

"Honey Burst" (moderate fading):

• Red faded to honey/golden yellow

• Orange tones still visible in transition areas

• Some red may remain on back of guitar (less UV exposure)

• Most common fading pattern

• Highly desirable to collectors

"Lemon Burst" (heavy fading):

• Red almost completely gone

• Yellow throughout with brown edges

• Looks like lemon with chocolate frame

• Indicates significant UV exposure

• Still extremely valuable—proves authenticity

"Tobacco Burst" (dark fading):

• Darker overall appearance

• Red faded to dark amber/tobacco color

• Less yellow than honey burst

• Sometimes indicates less UV exposure or different dye formula

• Very desirable among collectors

"Green Burst" (rare fading):

• Yellow mixed with remaining blue undertones creates greenish cast

• Rare and unusual

• Specific to certain dye formulas

• Extremely collectible when authentic

Why Faded Sunbursts Are MORE Valuable

Collectors prefer faded examples for several reasons:

1. Proof of authenticity:

• Aniline dye fading pattern impossible to fake convincingly

• Demonstrates guitar is truly vintage

• Rules out refinished guitars or fakes

• Natural aging authenticates originality

2. Aesthetic appeal:

• Many collectors prefer honey/lemon burst appearance

• More subtle and elegant than vibrant red

• Shows character and history

• Unique—each guitar fades differently based on UV exposure

3. Rarity among survivors:

• Most 1950s-1960s bursts have faded to some degree

• Unfaded "closet classic" examples actually rarer

• But faded examples more sought after by many collectors

4. Historical appearance:

• Famous guitars in photos from 1960s-1970s show faded finishes

• Replicates the "look" collectors want

• Associated with legendary players and recordings

Value comparison example: 1959 Les Paul Standard in excellent condition:

• Unfaded cherry sunburst: $400,000-$500,000

• Beautiful honey burst fade: $450,000-$600,000

• Dramatic lemon burst: $425,000-$550,000

The fading itself doesn't reduce value—condition, originality, and flame figure matter more.

Common Fading Mistakes to Avoid

DON'T assume fading means the guitar was refinished:

• Natural aniline dye fading is normal and expected

• UV-reactive fading PROVES authenticity

• Refinished guitars typically don't show proper fading patterns

DON'T try to "restore" or darken faded finishes:

• Attempting to restore color destroys value

• Original faded finish worth far more than restored finish

• Restoration = refinish = massive value loss (40-60%)

DON'T store faded guitars in direct sunlight:

• While fading proves authenticity, continued UV exposure can damage wood

• Store in cases or away from windows

• Protect from further UV damage while preserving current appearance

Identifying Guitars by Sunburst Type

Use the sunburst finish characteristics to narrow down your guitar's identity:

Fender Sunburst Identification

Two-Tone Fender Sunburst (1954-1958)

Characteristics:

• Brown outer edge (various shades from light to dark)

• Yellow center (sometimes with amber tint)

• No red anywhere

• Smooth gradient with no distinct color bands

• Often has more yellowing/aging appearance

What this indicates:

Stratocaster with two-tone sunburst:

• 1954-early 1958 production

• Pre-CBS era (before corporate buyout)

• Extremely valuable: $25,000-$45,000+

• Most have slab rosewood fretboards (1959-1962)

• "Spaghetti" thin logo typically

Telecaster with two-tone sunburst:

• 1950s production

• Butterscotch blonde on ash or two-tone on alder

• Valuable: $15,000-$35,000+

• Black or white pickguard depending on year

Value factors:

• All-original components essential

• Neck date and serial number must match

• No refinishing (checked with UV light)

• Original case adds value

Three-Tone Fender Sunburst (1958-Present)

Characteristics:

• Dark brown or black outer edge

• Red middle band (may have faded to orange-yellow)

• Yellow center

• Three distinct color zones visible

• More dramatic, colorful appearance

What this indicates:

Stratocaster with three-tone sunburst:

• Mid-1958 or later production

• Pre-CBS (1958-1965): $20,000-$60,000+

• CBS era (1965-1984): $5,000-$15,000

• Modern (1985-present): $800-$3,000

Dating clues from sunburst style:

• Vibrant red with minimal fading = likely 1970s+

• Faded to orange-yellow = could be 1960s

• Thick, glossy finish = polyurethane = 1968+

• Thin finish with checking = nitrocellulose = pre-1968

Telecaster with three-tone sunburst:

• Less common than Stratocaster

• Pre-CBS: $12,000-$30,000

• CBS era: $4,000-$10,000

Gibson Sunburst Identification

Cherry Sunburst on Les Paul (1958-1960)

Already covered above—if you have this, get professional authentication immediately.

Quick verification checklist:

• [ ] Carved maple top visible

• [ ] Cherry red graduating to yellow (may be faded)

• [ ] Figured/flamed maple visible through finish

• [ ] Two humbucker pickups

• [ ] Single cutaway design

• [ ] Serial number 8xxxx-0xxxx range on back of headstock

• [ ] "Les Paul Model" or "Les Paul Standard" designation

• [ ] Approximately 9 lbs weight

• [ ] Thin nitrocellulose finish with checking

If you checked 6+ boxes: Contact vintage guitar specialist immediately.

Cherry Sunburst on SG (1961-1965)

Characteristics:

• Bright cherry red body (may be faded)

• Flat, thin body (not carved like Les Paul)

• Double cutaway with pointed horns

• Two humbucker pickups

• Lightweight (6-7 lbs typically)

Value indicators:

• "Les Paul" on truss rod cover (1961-1963): $12,000-$30,000+

• Plain "SG Standard" designation (1963+): $8,000-$20,000+

• All original components critical

• Early PAF or patent number pickups

Common misconception: Cherry finish on SG is technically "cherry" not "cherry sunburst" (no graduation to yellow center). However, people often describe these as "cherry sunburst" when searching.

Sunburst on ES-335 and ES Series (1958-1965)

Characteristics:

• Three-tone sunburst typical

• Brown outer edge, red middle, amber/yellow center

• Semi-hollow body with f-holes

• Two humbucker pickups

• Natural or sunburst finish options

Sunburst variations:

• Vintage Sunburst: Reddish-brown outer, amber center

• Faded Sunburst: Red faded to honey/amber throughout

• Two-tone Sunburst: Some earlier examples lack red band

Value indicators:

• Dot inlay ES-335 (1958-1961): $18,000-$45,000+

• Block inlay ES-335 (1962-1965): $12,000-$30,000

• ES-345, ES-355 (gold hardware, stereo): $15,000-$40,000+

Dating from sunburst:

• Early examples often have darker, more amber sunbursts

• 1960s examples show more red

• Fading patterns similar to Les Paul (red fades first)

Tobacco Sunburst Gibson Acoustics

Characteristics:

• Dark tobacco brown outer edge

• Transitions to lighter brown/amber center

• No bright red (unlike electrics)

• More subtle, elegant appearance

• Used on J-45, J-50, Southern Jumbo, others

Value indicators:

• Pre-war Gibson acoustics: $5,000-$25,000+

• 1950s-1960s J-45: $3,000-$8,000

• 1950s-1960s SJ-200: $8,000-$20,000+

• Later examples: $1,500-$4,000

Martin Sunburst (Less Common)

Martin traditionally used natural finishes, but some sunbursts exist:

When Martin used sunburst:

• Special order guitars

• Certain models from specific eras

• D-28 sunburst (rare)

• Some OM models

• Various special editions

Characteristics:

• Generally two-tone (brown to natural)

• More subtle than Gibson or Fender

• Used to hide cosmetic wood imperfections

• Less common than natural Martin finishes

Value impact:

• Natural finish Martins typically more valuable

• Sunburst Martins worth 10-20% less than natural equivalents

• Exception: Pre-war sunburst Martins still very valuable

Guild, Gretsch, and Other Sunbursts

Guild sunbursts:

• Typically three-tone on electrics

• Two-tone tobacco sunburst on acoustics

• Quality finishes but not as valuable as Gibson/Fender

• 1960s examples: $1,500-$8,000 depending on model

Gretsch sunbursts:

• Less common (Gretsch favored solid colors)

• Some hollow-body models in sunburst

• "Western Orange" not technically sunburst but similar aesthetic

• 1950s-1960s examples: $4,000-$25,000

Authenticating Original Sunburst Finishes

Refinished guitars are extremely common—knowing how to spot original finishes protects you from overpaying for refinished instruments masquerading as original.

Signs of Original Sunburst Finish

Visual authentication markers:

✓ Natural aging patterns:

• Fine checking/crazing throughout finish

• More pronounced in neck areas (handling wear)

• Consistent aging across entire guitar

• Natural yellowing of clear coat

✓ Appropriate fading for age:

• Red faded to orange or yellow on vintage examples

• Back of guitar often darker (less UV exposure)

• Fading pattern logical based on sun exposure

• Gradual, natural-looking fade

✓ Wear patterns in correct locations:

• Forearm wear on top (where arm rests)

• Belt buckle wear on back

• Finish worn through in high-contact areas

• Metal hardware shows age-appropriate patina

✓ Correct finish depth and feel:

• Thin nitrocellulose on vintage (pre-1968)

• Can see wood grain clearly through finish

• Slight orange peel texture acceptable

• Not thick, plasticky polyurethane

✓ Proper color in cavities and under hardware:

• Neck pocket shows original color traces

• No overspray in control cavities

• Hardware mounting shows original finish underneath

• Consistent aging under pickguard

Red Flags for Refinished Sunbursts

❌ Overspray evidence:

• Paint in control cavities or on hardware

• Finish inside pickup routs

• Color on metal parts (screws, springs, pots)

• Inconsistent coverage

❌ Wrong finish type for era:

• Thick polyurethane on "1960s" guitar

• No checking on supposedly 50-year-old guitar

• Perfect, unmarred finish on vintage-dated guitar

• Modern chemistry visible under UV light

❌ Incorrect color for manufacturer:

• "Gibson" cherry sunburst on Fender body shape

• Wrong shade or gradient for claimed year

• Anachronistic color combinations

❌ Filled or suspicious screw holes:

• Extra filled holes indicate pickguard changes

• Sanding marks around filled holes

• Different wood grain direction in "patches"

❌ Fading pattern doesn't make sense:

• Artificially aged "relic" finish

• Fading in wrong locations (uniform all over)

• Too-perfect "honey burst" appearance

• Staining or distressing that looks applied

❌ Inconsistent aging:

• Finish looks old but hardware looks new

• Some areas heavily aged, others pristine

• Checking pattern too uniform or too random

• Aging doesn't match overall guitar condition

Professional Authentication Methods

Techniques vintage guitar specialists use:

UV Light Testing:

• Original vintage finishes fluoresce differently than modern

• Overspray glows differently than original

• Reveals repairs and touch-ups invisible to naked eye

• Different lacquer formulas show different colors under UV

Micro-inspection:

• Magnification reveals finish depth and layers

• Can see if finish has been buffed through and reapplied

• Shows quality of checking (natural vs. artificial)

• Reveals sanding marks from refinishing

Historical Knowledge:

• Specific color formulas used in specific years

• Knowledge of how each formula ages

• Understanding of factory application techniques

• Comparison to documented original examples

Cross-referencing:

• Serial numbers with finish types by year

• Pot codes with finish aging

• Hardware styles with finish type

• Consistent story across all components

At Edgewater Guitars, we use all these methods to authenticate sunburst finishes. UV light testing is particularly crucial—we've identified hundreds of refinished guitars that looked perfect to the naked eye but revealed overspray and modern finishes under UV.

Sunburst Variations and Special Finishes

Beyond standard two-tone and three-tone sunbursts, several variations exist:

"Burst" Nicknames and What They Mean

Honey Burst:

• Faded cherry sunburst (red faded to honey color)

• Associated with vintage Les Pauls

• Golden, warm appearance

• Highly desirable—indicates authentic aging

Lemon Burst:

• Heavily faded sunburst (mostly yellow with brown edges)

• Red pigment almost entirely gone

• Lighter appearance than honey burst

• Proves extensive UV exposure and age

Tobacco Burst:

• Darker overall sunburst

• Brown and amber tones predominate

• Common on Gibson acoustics

• Some Les Pauls fade this direction

Iced Tea Burst:

• Specific modern Gibson finish

• Brown and amber tones

• Not a faded original but a factory option

• Used on modern reissues

Heritage Cherry Sunburst:

• Modern Gibson designation

• Attempts to recreate 1958-1960 appearance

• Vibrant cherry red to yellow

• New guitars, not vintage

Bourbon Burst:

• Reddish-brown sunburst

• Modern PRS and other manufacturers

• Darker than traditional cherry sunburst

Reverse Sunburst

Characteristics:

• Light (yellow/natural) on edges

• Dark (brown/black) in center

• Opposite of traditional sunburst

• Quite rare on vintage guitars

Manufacturers using reverse burst:

• Some boutique makers

• Certain limited editions

• Not typical on vintage Fender or Gibson

• Less valuable than traditional sunburst

Black Beauty "Burst"

Not technically a sunburst, but often confused:

• Gibson Les Paul Custom "Black Beauty" (1954-1960)

• Solid black finish

• No burst effect

• Often mistaken for very dark sunburst

• Extremely valuable: $15,000-$75,000+ depending on year

Faded Cherry vs. Cherry Sunburst

Understanding the difference:

Cherry Sunburst:

• Gradient from cherry red to yellow center

• Traditional burst pattern

• 1958-1960 Les Paul Standards

Faded Cherry:

• Solid cherry red (no burst) that has faded

• Original finish was solid cherry

• Seen on SGs, Les Paul Juniors, Specials

• Fading lightens the red to pink or orange

Real Case Studies: Identifying Valuable Sunbursts

Case Study 1: The "Ugly Brown Guitar" Worth $425,000

The Initial Contact: Tom from Pennsylvania called about an "ugly brown and yellow guitar" his father-in-law left him. He said, "It used to be red but the finish is ruined. Is it worth fixing?"

What We Saw in Photos: Photos showed a Les Paul-style guitar with classic "lemon burst" appearance:

• Heavy yellow coloring throughout

• Brown edges

• Barely any red remaining

• Heavy checking in finish

• Figured maple visible underneath

Our Immediate Assessment: This "ruined finish" was actually a naturally aged 1959 Les Paul Standard in highly desirable lemon burst condition.

Authentication Details:

• Serial number: 9 2XXX (1959 confirmed)

• PAF pickups with stickers intact

• All original hardware

• Proper fading pattern (UV-reactive aniline dye)

• Checking pattern authentic

• Wood, construction, and aging all consistent

The Full Story: Tom's father-in-law bought the guitar new in 1959 for approximately $290. He played it in church and at home, where it sat near a window for decades. UV exposure gradually faded the cherry red to yellow. Tom thought the fading meant it was "ruined" and almost had it refinished.

Critical Moment: Tom had actually called a guitar shop about refinishing. The shop quoted $800 to "fix the color back to red." If he had done this, the guitar would have lost $350,000+ in value.

Outcome:

• Our purchase offer: $425,000

• What refinishing would have reduced it to: $80,000-120,000

• Tom's initial expectation: "Maybe $5,000 if someone wants it as-is"

Lesson: Natural fading on vintage sunbursts is GOOD, not bad. The lemon burst appearance proved authenticity and commanded premium pricing. Refinishing would have been catastrophic.

Case Study 2: The Two-Tone Stratocaster Treasure

The Initial Contact: Maria from Michigan sent photos of a "brown and yellow Fender guitar" she inherited from her uncle.

What Caught Our Attention: The sunburst was clearly two-tone (no red)—immediately indicating pre-1958 Stratocaster.

Key Observations:

• Two-tone sunburst: brown to yellow only

• "Spaghetti" logo (thin script)

• Small headstock (pre-CBS)

• Single-ply white pickguard

• Slab rosewood fretboard

Authentication Process:

• Serial number: 35XXX (1957 confirmed)

• Neck date: "7-57" (July 1957)

• Pot codes: 304-5739 (Stackpole, week 39 of 1957)

• All components original including pickups

• Finish 100% original (UV light confirmed)

• Two-tone sunburst perfect for 1957

The Critical Detail: Maria had been told by a local shop it was "probably refinished" because they'd "never seen a brown and yellow Strat." The shop offered $3,500. They didn't realize two-tone sunburst was the ORIGINAL finish for pre-1958 Fenders.

Outcome:

• Our purchase offer: $32,000

• Local shop offer: $3,500

• Difference: $28,500 due to sunburst knowledge

Lesson: Two-tone sunburst on Fender solid-bodies indicates 1954-1958 production—the most valuable era. Many people (including some guitar shops) don't recognize two-tone as original.

Case Study 3: The Refinished Sunburst Disappointment

The Initial Contact: Robert called about a "1959 Les Paul in perfect cherry sunburst condition—looks brand new!"

Our Immediate Concern: 60+ year-old guitars don't look "brand new" unless they've been refinished or stored in exceptional conditions. Robert's description raised red flags.

What Photos Revealed:

• Cherry sunburst that looked too perfect

• Zero checking or aging in finish

• Vibrant red with no fading

• Thick, glossy finish appearance

• No wear anywhere

In-Person Evaluation: We drove to evaluate the guitar:

• Serial number: 9 1XXX (1959 confirmed)

• PAF pickups original

• All hardware original

• BUT: Finish completely refinished

UV Light Testing: Under UV light, the finish glowed wrong:

• Modern nitrocellulose (different formula than 1950s)

• Overspray visible in cavities

• Finish much thicker than original

• Applied over sanded-down original finish

The Story: Robert's father had the guitar professionally refinished in the 1980s because "the finish was fading to ugly yellow." He paid $1,200 for a quality refinish that "made it look new again."

Value Impact:

• Original 1959 "burst" value: $400,000-500,000

• Refinished example value: $120,000

• Value lost to refinishing: $280,000-380,000

Outcome: We offered $120,000 (fair value for refinished '59). Robert was devastated—he thought he was inheriting a half-million-dollar guitar.

Lesson: "Perfect" cherry sunburst on 60-year-old guitar is a red flag. Natural fading and aging INCREASE value. Professional refinishing—even high-quality work—destroys 60-75% of value on vintage bursts.

Case Study 4: The Three-Tone Dating Revelation

The Initial Contact: Susan from Ohio had a "1956 Stratocaster in three-tone sunburst" according to family records.

The Problem: Three-tone sunburst didn't exist on Stratocasters until mid-1958. Something was wrong with either the date or the finish.

Investigation:

• Serial number: 24XXX (actually 1957, not 1956)

• Neck date: "10-57" (October 1957)

• Finish: Definitely three-tone (brown-red-yellow)

The Mystery: A 1957 Stratocaster shouldn't have three-tone sunburst (should be two-tone). Three possibilities:

1. Refinished to three-tone later

2. Very late 1957 transitional example

3. Special order

Detailed Authentication:

• UV light: Finish appeared original (correct fluorescence)

• No overspray in cavities

• Aging pattern consistent throughout

• Checking pattern authentic

• All components matched late 1957

The Answer: This was a transitional guitar—built in late 1957 but finished in early 1958 when Fender was beginning three-tone sunburst application. These transitional examples exist in small numbers.

Value Impact:

• Standard 1957 two-tone: $28,000-35,000

• Transitional 1957 with early three-tone: $35,000-42,000

• Premium for documented transitional features

Outcome: Our offer: $38,000

Lesson: Sunburst type helps date guitars, but transitional examples exist. Professional authentication identifies valuable anomalies.

Common Sunburst Identification Questions

"How can I tell if my sunburst is original or refinished?"

Quick checks you can do:

1. Look for overspray:

   • Remove control cavity cover

   • Check for finish inside cavities

   • Original finishes stop cleanly at edges

2. Examine wear patterns:

   • Should be wear in logical locations (forearm, belt buckle)

   • Wear should go through finish to wood

   • Artificial aging looks too uniform

3. Check finish depth:

   • Vintage = thin, can see wood grain clearly

   • Refinished = often thicker, less wood grain visible

4. Look for checking:

   • 50+ year old nitro should have fine checking

   • No checking on supposedly vintage guitar = suspicious

5. Compare front to back:

   • Back should be darker (less UV exposure)

   • Both sides too consistent = possibly refinished

Professional evaluation recommended for valuable guitars.

"My sunburst has faded to mostly yellow—does this reduce value?"

Typically NO, often INCREASES value on vintage guitars:

• Fading proves original nitrocellulose finish

• Authenticates age and originality

• Many collectors prefer faded appearance

• "Honey burst" and "lemon burst" command premiums

Value is reduced if:

• Fading is artificial (applied distressing)

• Guitar otherwise shows signs of refinish

• Fading inconsistent with age

For vintage Les Pauls specifically: Faded bursts often worth MORE than unfaded examples.

"I have a cherry guitar—is that the same as cherry sunburst?"

Not exactly:

Cherry Sunburst:

• Graduates from cherry red to yellow center

• Burst effect visible

• Typical on Les Paul Standard (1958-1960)

Solid Cherry:

• Uniform cherry red throughout

• No burst gradient

• Common on SG, Les Paul Junior, Special

• Also valuable but different finish

Both can fade:

• Cherry sunburst fades to honey/lemon burst

• Solid cherry fades to lighter red, orange, or pink

"What's more valuable—two-tone or three-tone sunburst?"

Depends entirely on guitar type:

For Fender Stratocasters:

• Two-tone (1954-1958) = More valuable

• Pre-CBS premium applies

• Rarer than three-tone

For Gibson Les Pauls:

• Three-tone cherry sunburst (1958-1960) = Most valuable finish ever

• Two-tone rare on electrics

For most other guitars:

• Value driven by model, year, condition

• Sunburst type secondary factor

"How do I know if my sunburst is rare or common?"

Rare sunburst indicators:

✓ Two-tone on Fender solid-body = Rare (pre-1958) ✓ Cherry sunburst on 1958-1960 Les Paul = Extremely rare and valuable ✓ Unusual fading patterns (green burst, etc.) = Rare ✓ Custom colors on sunburst (weird combos) = Could be rare ✓ Transitional examples = Uncommon

Common sunbursts:

• Three-tone on 1970s+ Fenders = Very common

• Sunburst on modern guitars = Standard option

• Sunburst on budget instruments = Common

"Can modern guitars have valuable sunburst finishes?"

Generally NO for modern production guitars, BUT:

Exceptions:

• Limited edition reissues of valuable models

• Custom Shop instruments with special features

• Exact replicas of famous guitars

• First-year reissues of discontinued models

Typical modern sunbursts:

• Production Fender with three-tone sunburst: $800-$1,500

• Production Gibson with heritage cherry: $2,000-$4,000

• High-end modern with sunburst: $3,000-$8,000

Still significantly less than vintage equivalents.

"My guitar has a sunburst but no brand name visible. How do I identify it?"

Use sunburst characteristics as clues:

1. Identify sunburst type:

   • Two-tone = Likely pre-1958 Fender or vintage acoustic

   • Three-tone = Could be Fender (1958+) or Gibson

2. Look at body shape:

   • Single cutaway carved top = Gibson Les Paul style

   • Double cutaway contoured = Fender Stratocaster style

   • Semi-hollow with f-holes = ES-335 style

3. Check construction:

   • Bolt-on neck = Fender style

   • Set neck = Gibson style

4. Examine hardware:

   • Bridge type indicates manufacturer

   • Pickup styles (humbucker vs single-coil)

5. Find serial number:

   • Location indicates manufacturer

   • Format helps date guitar

See our complete guitar identification guide: What Guitar Do I Have?

What to Do If You Have a Valuable Sunburst Guitar

Immediate Steps (DON'T Do Any of These)

❌ Don't clean or polish the finish

• Modern cleaners can damage nitrocellulose

• Original patina adds value

• Cleaning can remove authentication markers

❌ Don't try to "restore" faded colors

• Fading is good, not bad

• Attempting to darken red = refinishing = value destruction

• Leave it exactly as it is

❌ Don't take it to general music stores

• Most retail staff don't understand vintage sunburst value

• Risk of bad advice ("get it refinished")

• Lowball offers common

❌ Don't attempt any modifications

• Don't change strings yet (old strings don't matter)

• Don't tune it up if it's been stored loose

• Don't remove any parts

❌ Don't store in direct sunlight

• While fading proves age, continued UV exposure can damage wood

• Keep in case or away from windows

• Protect from temperature extremes

Positive Steps to Take

✓ Document thoroughly:

• Take clear photos of all angles

• Photograph serial numbers

• Document any marks, stamps, or codes

• Note sunburst colors and patterns

✓ Research basics:

• Use serial number to approximate date

• Identify brand and model if possible

• Review this guide to understand what you have

• Note two-tone vs. three-tone distinction

✓ Contact specialists:

• Reach out to vintage guitar experts

• Get professional authentication

• Obtain written appraisal

• Consider multiple opinions for very valuable guitars

✓ Secure and insure:

• Store in climate-controlled space

• If potentially valuable, add to homeowner's insurance

• Keep in locked case

• Document for insurance purposes

Getting Professional Authentication

When to get professional evaluation:

Immediately if:

• Guitar appears to be 1958-1960 Les Paul cherry sunburst

• Two-tone sunburst Fender from 1950s

• Any sunburst guitar with premium features and age indicators

• Family history suggests significant value

Soon if:

• Any three-tone vintage Fender or Gibson

• Unusual or rare sunburst patterns

• Sunburst with heavy fading (could indicate valuable age)

• Well-made guitar with no obvious brand

Eventually if:

• Modern sunburst guitar

• Budget brand with sunburst

• Clearly newer instrument

Edgewater Guitars Sunburst Authentication

We specialize in authenticating vintage sunburst finishes:

Our expertise:

• UV light testing for refinish detection

• Aniline dye fading pattern authentication

• Cherry sunburst Les Paul specialist authentication

• Two-tone vs. three-tone Fender dating

• Historical knowledge of factory sunburst formulas

Our process:

1. Free preliminary assessment from photos

2. Detailed research of serial numbers and features

3. In-person evaluation with UV testing (for valuable guitars)

4. Written authentication and appraisal

5. Purchase offer if you're interested in selling

Why choose Edgewater:

• We actually buy guitars (not just appraise)

• 30-40% higher offers than typical guitar shops

• No pressure or obligation

• Professional, respectful service

• Serve Ohio, Michigan, Pennsylvania, Indiana, West Virginia

Contact Edgewater Guitars for Sunburst Identification

If you have a sunburst guitar and want to know what it is and what it's worth:

📧 Email Evaluation (Free)

Submit photos through our online form:

• Include clear photos of entire guitar

• Close-ups of sunburst pattern and colors

• Serial number images

• Any fading or unusual color patterns

Response time: 24-48 hours

📞 Phone Consultation (Free)

Call (440) 219-3607 to discuss your sunburst guitar:

• Describe the colors and pattern

• We'll help identify type of sunburst

• Get preliminary guidance on value

• Schedule in-person authentication if needed

Available: Monday-Saturday, 9am-6pm EST

🏢 In-Person Authentication

For potentially valuable sunburst guitars:

• We travel to you for evaluation

• UV light testing for refinish detection

• Complete authentication and documentation

• Immediate purchase offers for guitars we buy

Service area: Ohio, Michigan, Pennsylvania, Indiana, West Virginia

Free Resources

Learn more about vintage guitars:

• Gibson Serial Number Lookup - Date your Les Paul or other Gibson

• Fender Serial Number Lookup - Date your Stratocaster or Telecaster

• How to Tell If a Guitar is Valuable - Complete value assessment guide

• What Guitar Do I Have? - Identification guide for unmarked guitars

• Found Old Guitar in Attic? - Estate and inherited guitar guidance

Final Thoughts on Sunburst Guitars

The sunburst finish is more than just a pretty color scheme—it's a historical marker, an authentication tool, and often an indicator of significant value. Understanding what you're looking at when you see a sunburst guitar can mean the difference between recognizing a $500,000 treasure and dismissing it as "that old faded guitar."

Key takeaways:

✓ Two-tone sunburst on Fender = Pre-1958 = Very valuable ✓ Cherry sunburst on Les Paul carved top = Potentially $200,000-$750,000 ✓ Three-tone sunburst dates Fenders to 1958 or later ✓ Faded sunbursts (honey burst, lemon burst) often MORE valuable than unfaded ✓ Natural aniline dye fading proves authenticity ✓ Never refinish a faded vintage sunburst ✓ Sunburst type helps date and identify guitars

Whether you've inherited a sunburst guitar, found one in storage, or simply want to understand what you own, professional authentication ensures you don't make costly mistakes or miss valuable opportunities.

Don't let an "ugly brown and yellow" faded finish fool you—it might be a naturally aged masterpiece worth hundreds of thousands of dollars.

Contact Edgewater Guitars:

📧 Submit Photos for Free Evaluation
📞 (440) 219-3607
📍 Serving: Ohio, Michigan, Pennsylvania, Indiana, West Virginia

About Edgewater Guitars:

Edgewater Guitars specializes in authenticating and purchasing vintage sunburst guitars throughout the Midwest. Our team has authenticated hundreds of vintage Les Paul cherry sunbursts, two-tone Fender Stratocasters, and rare sunburst variations. We use professional UV light testing, aniline dye fade pattern analysis, and decades of hands-on experience to authenticate original finishes and detect refinishes. We pay 30-40% more than typical guitar shops because we understand the true value of original sunburst finishes—including heavily faded examples that others might undervalue.

Last Updated: January 2025

Edgewater Guitars is an independent vintage guitar buyer. We are not affiliated with Gibson, Fender, or any guitar manufacturer. All brand names are used for identification purposes only.