DATE :
Wednesday, January 14, 2026
Found an Old Guitar in the Attic? Here's Exactly What to Do (Complete Guide)
Found an Old Guitar in the Attic? Here's Exactly What to Do (Complete Guide)
Quick Answer: If you've found an old guitar in an attic, basement, or storage, DO NOT clean it, modify it, or take it to a general music store until you've documented it thoroughly and had it evaluated by a vintage guitar specialist. Many attic-found guitars—especially pre-1970 American-made Fender, Gibson, and Martin instruments—are worth thousands to hundreds of thousands of dollars in original condition. Take clear photos, research the brand and serial number, and contact a specialist who actually buys vintage guitars (not just appraises them) to get an accurate valuation.
Discovering an old guitar tucked away in an attic, basement, closet, or storage unit is more common than you might think—and it can be one of the most valuable surprises of estate cleanouts and home organization projects. While many people assume these dusty instruments are worthless, the reality is that countless five-figure and even six-figure vintage guitars have been found in exactly these situations.
If you've just discovered an old guitar and are wondering "Is this worth anything?" or "What should I do with this?", this comprehensive guide will walk you through every step of the process—from initial documentation to professional valuation to your selling options.
At Edgewater Guitars, we've purchased hundreds of valuable vintage instruments from people who found them in exactly the situation you're in now. We've seen $50,000 Les Pauls pulled from attics, $40,000 Stratocasters discovered in closets, and pre-war Martins found in estate cleanouts. This guide represents everything we've learned from those experiences.
What you'll learn:
Exactly what to do immediately after finding an old guitar
How to document and research your discovery without damaging value
How to identify signs your guitar might be valuable
Common valuable guitars found in storage and estates
Critical mistakes that destroy value (and how to avoid them)
How to get a professional appraisal from experts who actually buy guitars
Real case studies of valuable guitars found in attics and basements
Let's start with the most important immediate steps.
What to Do IMMEDIATELY After Finding an Old Guitar
Time is not critical—thoughtful action is. The guitar has likely been sitting undisturbed for years or decades. A few more days won't matter, but making the wrong moves in the first hour can destroy thousands of dollars in value.
Step 1: Leave Everything As-Is (For Now)
DO NOT touch, clean, modify, or move the guitar more than necessary until you've documented everything.
Why this matters:
Original patina and "honest wear" actually increases value on vintage guitars
Cleaning can damage nitrocellulose finishes on valuable instruments
Moving parts can break fragile vintage components
Original strings (if present) help with authentication
Dust patterns can reveal guitar's history and storage conditions
What you CAN safely do:
Take the guitar and case to a well-lit area for photography
Gently brush away loose dust and debris with a soft, clean cloth
Remove the guitar from its case for inspection (if in a case)
Look at the guitar from all angles without handling excessively
What to AVOID:
❌ Spraying or applying any cleaners, polishes, or oils
❌ Tuning the guitar or putting tension on the neck
❌ Replacing strings
❌ Tightening or loosening any hardware
❌ Opening the case roughly (vintage case latches are fragile)
❌ Removing any components (pickups, tuners, electronics)
Step 2: Document Everything with Photos
Before you do anything else, create a complete photographic record. These photos serve multiple purposes:
Authentication and dating by experts
Insurance documentation
Record of condition before any handling
Reference for online research
Evidence of originality
Essential photos to take:
📸 Overall guitar photos:
Full front view of entire guitar
Full back view of entire guitar
Full side view showing body depth and neck angle
Guitar in its case (if found in one)
📸 Headstock details:
Front of headstock showing logo clearly
Back of headstock showing any serial numbers or stamps
Close-up of tuning machines (tuners)
Any wear patterns, cracks, or repairs on headstock
📸 Body details:
Bridge and tailpiece area
Control knobs, switches, and pickguard
Any labels, stickers, or writing on body
Neck joint where neck meets body
Output jack area
Back of guitar showing any stamps or writing
📸 Condition issues:
Any cracks, chips, or damage
Repair evidence
Wear patterns or buckle rash
Hardware corrosion or changes
Finish checking or crazing
📸 The case:
Outside of case showing condition
Inside of case (lid and body)
Any case candy (original accessories, paperwork)
Case latches, handle, and hardware
Interior label or tag if present
📸 Interior views (if possible without tools):
Acoustic guitars: Look through soundhole at label and bracing
Electric guitars: Control cavity if back plate is easily removable
Any visible date stamps, signatures, or markings
Pro tip: Take photos with a household item (like a ruler or coin) for scale reference. Use natural lighting near a window rather than flash, which can create glare and hide details.
Step 3: Document What You Know About the Guitar's History
Write down everything you know or can find out:
Ownership history:
Who owned the guitar previously?
When did they acquire it?
Where did they purchase it (if known)?
Did they play professionally or casually?
Any stories about the guitar's significance?
Storage conditions:
How long was it in storage?
What were the storage conditions (temperature, humidity)?
Was it in a case or unprotected?
Any evidence of environmental damage?
Provenance (if any):
Original purchase receipts
Warranty cards or hang tags
Previous appraisals or documentation
Photos of original owner with guitar
Service or repair records
Original price tags or store stickers
Why this matters: Documented provenance can add 10-20% to value, especially if the guitar has interesting history or notable ownership.
Step 4: Look for the Brand Name and Model
Most guitars display their manufacturer and model name somewhere visible:
Common brand name locations:
Headstock (top of neck):
Most common location
Usually prominently displayed
May be painted, inlaid, or transferred decal
Inside acoustic guitars:
Label visible through soundhole
Usually shows brand, model, serial number, and year
May be handwritten or printed
Headstock back:
Some brands stamp information on back
Serial numbers often located here
If you can't find a brand name:
Some guitars were sold under store brands (Silvertone, Airline, etc.)
Budget models sometimes lack obvious branding
Worn instruments may have lost their logos
Some valuable guitars were manufactured under contract for retailers
Major brand names to recognize:
Extremely valuable brands:
Gibson (with various sub-brands)
Fender (with Squier, Musicmaster, etc.)
Martin (C.F. Martin & Co.)
Gretsch
Rickenbacker
Very valuable brands:
Guild
Epiphone (pre-1957 especially)
National
Dobro
D'Angelico
Potentially valuable brands:
Harmony (higher-end models)
Kay (higher-end models)
Silvertone (some models)
Airline
Supro/Valco
Step 5: Locate the Serial Number
Serial numbers are your primary tool for dating and authenticating guitars. Location varies by manufacturer:
Gibson serial number locations:
Back of headstock (most common, 1952-present)
Inside body cavity (Factory Order Number, 1935-1961)
Stamped on neck block (some acoustics)
Paper label inside (some acoustics)
Fender serial number locations:
Neck plate on back of guitar (1954-1976)
Front of headstock (1976-present)
Back of headstock (some models)
Bridge plate (some early Telecasters)
Martin serial number location:
Neck block inside guitar (visible through soundhole)
May also have model stamp
What to record:
Complete serial number exactly as shown
Location of serial number
Method of application (stamped, ink, impressed)
Any other numbers or codes visible nearby
Important: Don't try to remove the neck or disassemble anything to find serial numbers. If it's not easily visible, note that for a professional to investigate.
Is Your Found Guitar Valuable? Quick Assessment Checklist
Use this checklist to make a preliminary determination of whether your found guitar warrants professional appraisal:
✅ High-Value Indicators (Get This Appraised)
Check all that apply:
[ ] Brand is Gibson, Fender, or Martin
[ ] Appears to be from 1950s or 1960s based on style
[ ] Finish looks thin and has fine cracking (called "checking")
[ ] Weighs noticeably less than modern guitars (if electric)
[ ] Has old-style logo (script writing, not modern block letters)
[ ] Found in case with pink or purple velvet lining (typical of 1950s-1960s)
[ ] Has "Patent Applied For" stickers on pickups (Gibson)
[ ] Fender with "spaghetti" thin logo (pre-1965)
[ ] All parts appear original and match the era
[ ] Hardware shows natural age patina, not fresh corrosion
[ ] Colors other than sunburst or natural (custom colors valuable)
[ ] Unusual or distinctive features (V-shape body, unusual colors, gold hardware)
If you checked 3 or more boxes above: Your guitar very likely has significant value. Contact a vintage guitar specialist immediately before doing anything else.
🟡 Moderate-Value Indicators (Worth Investigating)
[ ] Brand is Guild, Gretsch, Rickenbacker, or Epiphone
[ ] Appears to be from 1970s based on style
[ ] Has "Made in USA" stamp or label
[ ] Quality construction (solid wood, good hardware)
[ ] Intact with no major damage
[ ] Original case included
[ ] Belonged to a working musician
If you checked 3 or more boxes above: Your guitar likely has moderate collector value or good player value. Professional appraisal recommended.
🔴 Lower-Value Indicators (Likely Modest Value)
[ ] Brand is from Asia (Yamaha, Ibanez, etc.) and appears newer than 1980
[ ] Plastic construction or obvious budget materials
[ ] Plywood construction visible
[ ] Modern style and features
[ ] Heavy damage, breaks, or missing parts
[ ] Common beginner model (identifiable by simple features)
If most boxes checked here: Guitar likely has modest value but may still be worth getting assessed if it has sentimental importance or unique features.
The Most Valuable Guitars Found in Attics, Basements & Storage
Based on our 20+ years purchasing guitars from estates and home discoveries throughout Ohio and the Midwest, here are the models most commonly found that turn out to be extremely valuable:
Gibson Models Commonly Found in Storage
1958-1960 Les Paul "Burst" - $200,000 to $750,000+
Why they end up in attics:
Originally unsuccessful (discontinued in 1961)
Owners moved on to "newer, better" guitars
Seen as outdated by the 1960s
British blues boom hadn't yet made them famous in America
Identification markers:
Cherry sunburst finish (often faded to yellow/honey color)
Two humbucker pickups
Carved maple top (often with flame pattern)
Serial number 8xxxx through 0xxxx range
Thin finish with checking
Recent discovery example: We purchased a 1959 Les Paul found in a Cleveland attic for $425,000. The owner's father bought it new in 1959, played it for a few years, then stored it when he "upgraded" to a newer model in 1965.
1952-1957 Les Paul Goldtop - $15,000 to $50,000
Why they end up in attics:
Very heavy compared to other guitars
Gold finish was polarizing
Many owners bought them, played briefly, then stored them
Not as immediately recognizable as Stratocasters
Identification markers:
Gold metallic finish (may be dull or darkened)
P-90 pickups (black soapbar-style) or early humbuckers
Trapeze tailpiece (early) or Tune-o-matic bridge (later)
Serial numbers 0xxx through 7xxxx range
1958-1965 ES-335 - $12,000 to $45,000
Why they end up in storage:
Jazz and blues players often owned multiple guitars
Semi-hollow design considered "old fashioned" during rock era
Many stored when solid-body electrics became fashionable
Identification markers:
Semi-hollow with visible f-holes
Double cutaway body
Dot inlays (1958-1961, most valuable) or block inlays
Cherry, sunburst, or natural finish
Two humbucker pickups
1961-1963 SG/Les Paul - $8,000 to $30,000
Why found in storage:
Transitional model during Fender/Gibson competition
Les Paul's name removed from model (confusion led to storage)
Lightweight meant they were sometimes dismissed as "cheap"
Identification markers:
Double cutaway with pointed horns
"Les Paul" on truss rod cover (1961-1962 examples most valuable)
Thin, flat body
Two humbucker pickups or P-90s
Often in cherry finish
Fender Models Commonly Found in Storage
1954-1965 Stratocaster - $20,000 to $100,000+
Why they end up in attics:
Working musicians owned multiple guitars
Tremolo systems required maintenance many owners avoided
"Upgrade" to newer models left these stored
Inheritance from deceased musicians
Identification markers:
"Spaghetti" thin script logo (pre-1965)
Small headstock (pre-1965)
Serial number on neck plate (1950s-1960s models)
Rosewood fingerboard (1959+) or maple neck
Single-coil pickups (three)
Tremolo system
Value multipliers:
Custom colors (especially Sonic Blue, Lake Placid Blue, Fiesta Red): 2-3x value
Matching headstock on custom colors: +30-50%
All-original components: +40-60%
"Slab board" rosewood (1959-1962): +20%
Recent discovery example: We purchased a 1963 Stratocaster in original Surf Green found in a Michigan basement for $67,000. The owner inherited it from his uncle who bought it new but stored it after buying a newer guitar in 1967.
1950-1965 Telecaster - $15,000 to $100,000+
Why found in storage:
Simple design made them seem "basic" compared to Stratocasters
Country music association led rock players to store them
Working guitars that survived in cases when players retired
Identification markers:
Blonde or sunburst finish
Two single-coil pickups
Bridge pickup mounted in metal plate
Serial on bridge plate (1950-1954) or neck plate (later)
Black or white pickguard depending on era
Special variants:
"Broadcaster" (1950): $50,000-100,000+
"Nocaster" (1951): $40,000-80,000+
Early 1950s examples: $25,000-50,000
1951-1965 Precision Bass - $12,000 to $45,000
Why they end up in basements:
Bass players were often "the other guy" in bands
Less sentimental attachment than guitars
Heavy and bulky to store
Many bassists moved to newer models
Identification markers:
Single split-coil pickup (1957+) or single-coil (1951-1956)
Large body with long scale
Anodized gold pickguard (late 1950s, very desirable)
Serial number on bridge or neck plate
1960-1965 Jazz Bass - $15,000 to $50,000
Why found in storage:
Stack knob controls confusing for some players (1960-1961)
Switch to three-knob layout confused longtime owners
Narrower neck didn't suit all players
Identification markers:
Two single-coil pickups
Offset body shape
Stack knobs (1960-1961, extremely valuable) or three knobs
Bound neck and block inlays (on some)
Martin Acoustic Guitars Found in Storage
1931-1946 D-28 Herringbone - $20,000 to $75,000
Why found in attics:
Many owners didn't realize pre-war value
Stored when "upgrading" to new guitars
Estate situations where heirs didn't play
Original owners passed away, guitars forgotten
Identification markers:
Herringbone trim around soundhole and top edge
Brazilian rosewood back and sides
14-fret neck (1934+) or 12-fret (earlier)
Small serial number stamped on neck block inside
Dark, rich wood with pronounced grain
1933-1942 D-45 - $75,000 to $350,000
Why found in storage:
Extremely expensive originally ($275 in 1937 = ~$5,800 today)
Often purchased by wealthy non-musicians as status items
Carefully stored "for special occasions" then forgotten
Estate situations
Identification markers:
Abalone trim around entire top, back, and soundhole
Brazilian rosewood
Hexagon fingerboard inlays
Gold tuners
Highly figured woods
Important note: Only 91 pre-war D-45s were made. Finding one is like winning the lottery.
1929-1933 OM-28 - $35,000 to $100,000
Why found in storage:
Short production run made them uncommon
Size between dreadnought and parlor confused owners
Often stored when "upgrading" to larger dreadnoughts
Identification markers:
Smaller body than dreadnought
Long scale length (25.4")
Herringbone trim
Brazilian rosewood
14-fret neck
Pyramid bridge
Critical Mistakes That Destroy Value (And How to Avoid Them)
Many well-intentioned actions can reduce your found guitar's value by 40-70%. Here's what NOT to do:
❌ Mistake #1: Cleaning or Polishing
What people do: "This guitar is filthy! I'll clean it up before getting it appraised."
Why this destroys value:
Modern guitar polish contains silicones that damage nitrocellulose finishes
Original patina and "honest wear" are authentication markers
Cleaning can remove original finish or create new wear patterns
Collectors prefer untouched, original surface
Real example: We saw a 1956 Goldtop Les Paul that someone "cleaned up" with lemon oil. The oil softened the nitrocellulose finish, creating clouding and new checking patterns. Value reduction: ~$8,000.
What to do instead:
Leave all cleaning to professionals after appraisal
Only gently brush away loose dust with a soft, dry cloth
Don't use any liquids, sprays, or polishes
Preserve the guitar exactly as found
❌ Mistake #2: Taking It to a General Music Store
What people do: "I'll take this to the local guitar shop and see what they think."
Why this is problematic:
General retail staff aren't trained in vintage authentication
Shops lowball values to create purchasing opportunity
They often recommend "restoration" or "fixing up" that destroys value
Wrong advice leads to irreversible damage
Real example: A customer brought us a 1959 Les Paul after a music store told them "it needs refinishing and new electronics, maybe worth $3,000 after repairs." The guitar was actually worth $280,000 as-is. The store wanted to buy it for $5,000 and "fix it up."
What to do instead:
Contact specialist vintage guitar buyers
Seek experts who actually purchase vintage instruments
Get multiple opinions before making any decisions
Don't authorize any work until you understand true value
❌ Mistake #3: Changing Strings or "Getting It Playable"
What people do: "Let me put new strings on and tune it up to hear how it sounds."
Why this is risky:
Vintage guitars stored for decades can't handle sudden tension
Necks may have relaxed and can warp or crack under tension
Old strings provide dating clues for authentication
Tuning mechanisms may be frozen and can break
String breakage can damage vintage bridges or finishes
Real example: Someone put strings on a 1954 Stratocaster that had been stored for 40 years. The sudden tension caused the neck to twist. A $30,000 guitar became a $15,000 guitar with neck issues.
What to do instead:
Leave strings as-is (or string-less if that's how you found it)
Professional evaluation doesn't require playable instrument
Let experts determine if guitar can safely handle string tension
Value isn't dependent on playability for collector-grade instruments
❌ Mistake #4: Attempting Repairs or "Restoration"
What people do: "This crack needs to be fixed" or "Let me replace this broken part."
Why this destroys value:
Original condition with issues worth more than amateur repairs
Professional restoration only for guitars that need it to preserve structure
Wrong glue, wrong parts, wrong finish = massive value loss
Some "broken" features are actually valuable as-is
Real example: Someone had a "broken" Fender bridge repaired at a local shop. The "broken" bridge was actually a rare 1950s compensated bridge worth $1,500 alone. It was replaced with a $30 modern bridge. Total value loss: ~$8,000.
What to do instead:
Document all damage and issues photographically
Leave all repairs for after professional authentication
Some damage is acceptable to collectors (honest wear)
Structural stability matters, cosmetic issues less so
❌ Mistake #5: Replacing Obviously "Worn Out" Parts
What people do: "These old tuners are crusty, I'll put on new ones" or "These pickups are corroded, let me upgrade them."
Why this obliterates value:
Original parts are often worth thousands alone
"Worn" often means "authentically aged"
Replaced parts = modified guitar = significantly reduced value
Vintage parts can be cleaned/restored professionally
Real example: Someone replaced "ugly old pickups" on a 1959 Les Paul with "nice new Gibson pickups." Original PAF pickups were worth $12,000. New pickups worth $200. Guitar value reduced from $320,000 to approximately $190,000. Total loss: ~$142,000.
What to do instead:
Assume ALL original parts are valuable until proven otherwise
Don't replace anything
Corrosion and patina are normal and expected
Let professionals assess what needs replacement (usually nothing)
❌ Mistake #6: Trusting Online "Instant Valuations"
What people do: "I'll just look up the serial number online and see what it's worth."
Why this doesn't work:
Online databases give general ranges, not specific values
Condition variations create huge price differences
Custom features and originality not captured by databases
Current market fluctuations not reflected
Real example: Someone looked up their 1963 Stratocaster serial number online and saw "$18,000-25,000." They almost sold it to a shop for $20,000. The guitar was original Lake Placid Blue with matching headstock—actually worth $70,000+.
What to do instead:
Use online tools for preliminary research only
Get hands-on professional appraisal
Multiple factors beyond serial number determine value
Market expertise is as important as database information
Special Considerations for Estate-Discovered Guitars
If you've found this guitar while handling a loved one's estate, there are additional considerations:
Understanding the Emotional Aspect
Common feelings:
Guilt about selling something that was meaningful to the deceased
Uncertainty about whether to keep or sell
Pressure from family members with differing opinions
Concern about "doing the right thing"
Our perspective: At Edgewater Guitars, we've helped hundreds of families navigate estate guitar situations. Here's what we've learned:
You're honoring their memory by ensuring the instrument is valued properly. Whether you ultimately keep or sell, understanding what you have shows respect for their possession.
Selling doesn't mean forgetting. Many families use proceeds to fund something meaningful or to distribute estate assets fairly among heirs.
Instruments want to be played. If no one in your family plays, selling to someone who will treasure and play the instrument keeps its legacy alive.
Estate-Specific Authentication Factors
Provenance significantly increases value:
Original purchase receipts
Photos of deceased playing the guitar
Performance history (setlists, posters, recordings)
Documentation of notable performances or venues
Letters, correspondence about the guitar
What to preserve:
All paperwork found with guitar
Original case and case candy
Any modification records
Maintenance receipts
Photos showing the guitar throughout its life
Tax Considerations for Estate Guitars
Important: We are not tax advisors. Consult with an estate attorney or CPA for specific guidance.
General considerations:
Guitars may be part of taxable estate (if estate exceeds federal/state thresholds)
Fair market value appraisal needed for estate tax returns
Cost basis for heirs typically "stepped up" to fair market value at death
Capital gains implications if guitar appreciates after inheritance
Donation considerations if selling isn't desired
How Edgewater helps:
Professional written appraisals for estate documentation
Fair market valuations accepted by IRS
Clear documentation for tax purposes
Referrals to estate attorneys when needed
Multiple Heirs Situations
Common scenario: Several heirs discover valuable guitar(s) and must decide disposition.
Options we've helped facilitate:
Sell and split proceeds: Clean, equitable solution
One heir buys out others: Based on professional appraisal
Rotate possession: Works for non-valuable or sentimental guitars
Donate and split tax benefit: If family doesn't want to sell
What we provide:
Neutral third-party valuation all parties can trust
Fair market offers allowing immediate estate resolution
Professional mediation of guitar authentication questions
Documentation supporting any disposition decision
How to Get Professional Authentication & Appraisal
Once you've documented your found guitar and determined it might be valuable, professional appraisal is the critical next step.
Why Choose Edgewater Guitars
We're different from typical appraisal services in three fundamental ways:
1. We Actually Buy Guitars (We Don't Just Appraise)
Why this matters:
Typical appraisal services charge fees but don't buy instruments. This creates perverse incentives:
They have no accountability for accuracy
Inflated appraisals make clients happy (but aren't real)
No skin in the game means less thorough research
Edgewater's approach:
We back our valuations with actual purchase offers
Our appraisals reflect what we'd pay (true market value)
We have 20+ years experience buying vintage guitars
We maintain relationships with serious collectors nationwide
Result: Our valuations are more conservative but more accurate, and you have the option to convert appraisal to immediate sale.
2. We Specialize in Pre-1970 American Guitars
Our expertise areas:
Gibson Les Paul, SG, ES-series authentication
Fender Stratocaster, Telecaster, Bass dating and verification
Martin pre-war and post-war acoustic authentication
Custom color verification and authentication
PAF pickup authentication and verification
Finish originality assessment
Serial number cross-referencing with production records
Why specialization matters:
General appraisers work across all instruments. We focus exclusively on the highest-value segment—vintage American guitars—giving us deep expertise in exactly the types of instruments most commonly found in attics and estates.
3. We Serve the Entire Midwest with In-Person Evaluation
Geographic service area:
Ohio: Cleveland, Columbus, Cincinnati, Toledo, Akron, Dayton, Youngstown
Michigan: Detroit, Grand Rapids, Ann Arbor, Lansing, Flint, Kalamazoo
Pennsylvania: Pittsburgh, Erie, Allentown, Harrisburg, Scranton
Indiana: Indianapolis, Fort Wayne, South Bend, Evansville, Bloomington
West Virginia: Charleston, Huntington, Morgantown, Parkersburg, Wheeling
Why in-person evaluation matters:
Valuable guitars should never be shipped for initial appraisal:
Risk of damage in transit
Insurance complications for unappraised instruments
Inability to authenticate finish and hardware authenticity through photos alone
UV light testing requires hands-on inspection
We travel to you for:
Guitars potentially valued over $5,000
Multiple instruments in estate situations
Situations where owner can't transport guitar
High-value instruments requiring secure evaluation
Our Authentication Process
Step 1: Initial Documentation Review (Free)
Submit photos through our online form
Provide all known information about the guitar
Include clear shots of serial numbers, logos, hardware
Describe finding circumstances and history
Timeline: 24-48 hours for preliminary assessment
What we provide:
Initial determination of brand, model, and approximate era
Preliminary assessment of value range
Recommendation for next steps
No obligation or cost
Step 2: Research & Database Verification
Cross-reference serial numbers with manufacturer databases
Verify features against known production specifications
Research any unusual or transitional features
Identify potential authentication concerns
Timeline: 2-4 days for thorough research
What we investigate:
Serial number format and location verification
Logo style consistency with claimed era
Hardware specifications matching production period
Finish type and aging patterns
Electronic component dating (if visible)
Step 3: In-Person Authentication (For Valuable Instruments)
Schedule convenient appointment at your location
Complete hands-on inspection
Professional photography for documentation
Non-invasive testing (UV light, hardware inspection)
Electronics cavity inspection (with permission)
Timeline: Scheduled at your convenience, typically within 1 week
What we examine:
Finish originality and refinish detection
Hardware originality and appropriate wear patterns
Serial number authentication and cross-referencing
Pot code dating and electronics originality
Pickup authentication (without removal)
Structural integrity and repair history
Comparative analysis with verified examples
Step 4: Written Appraisal & Market Valuation
Comprehensive written report
Detailed authentication findings
Current fair market value
Condition grading and description
Comparable sales data
Factors affecting value (both positive and negative)
Timeline: Delivered within 48 hours of in-person inspection
What's included:
Professional photography of guitar
Complete specifications and features list
Authentication certification
Market analysis supporting valuation
Recommendations for sale, insurance, or preservation
Step 5: Purchase Offer (If You're Interested in Selling)
Immediate cash offer based on authentication
No consignment period or uncertainty
Professional purchase agreement and payment
We handle all logistics
Timeline: Offer presented with written appraisal
What we offer:
Fair market value (30-40% higher than typical guitar shops)
Immediate payment (check, wire, or cash)
Professional transaction documentation
Secure handling and transport (if needed)
Real Case Studies: Valuable Guitars We've Purchased from Attics & Estates
Case Study 1: The $425,000 Cleveland Attic Les Paul
Discovery Story: Maria contacted us during her father's estate cleanout in Cleveland Heights. She found a guitar case tucked behind boxes in the attic and initially planned to donate it to a local school.
Initial Photos: The photos she sent showed a sunburst guitar covered in dust but with distinctive carved top and two pickups. The finish had faded significantly to honey/yellow colors with only traces of red around edges.
Our Research:
Serial number 9 1847 confirmed 1959 Les Paul Standard
Photos showed PAF pickups with stickers intact
Original finish with heavy checking but no refinishing
Correct hardware including ABR-1 bridge and aluminum stopbar
Original brown case with pink lining
In-Person Evaluation: We drove to Cleveland the next day. The guitar was exceptional:
All-original components verified
Moderate flame maple top (not highest grade but attractive)
Neck date "5-59" confirmed May 1959 manufacture
Pot codes matched era (CTS late 1958/early 1959)
Structural integrity perfect
Honest play wear but no issues
Original case with case candy
The Story: Maria's father bought the guitar new in 1959 from a Cleveland music store for $289.50 (we found the original receipt in the case). He played in local bands until 1965, then "upgraded" to a newer guitar and stored the Les Paul in the attic, where it sat untouched for 54 years.
Outcome:
Our offer: $425,000
Local shop had offered: $150,000 (with advice to "refinish for better value")
Online "instant valuation": $200,000-350,000 range
Maria used proceeds to fund college education for her grandchildren
Lesson: Original finish with honest wear is far more valuable than refinishing. The faded sunburst "honey burst" finish actually increases value among collectors.
Case Study 2: The $67,000 Michigan Basement Surf Green Stratocaster
Discovery Story: Tom inherited his uncle's estate in Grand Rapids and found a guitar case in the basement workshop. He assumed it was "just an old Fender" and nearly donated it to a music program.
Initial Photos: Photos showed a beautiful sea foam green Stratocaster with matching painted headstock—a strong indicator of 1960s custom color.
Our Research:
Serial number L12XXX placed it solidly in 1963
Surf Green was an official Fender custom color (rare)
Matching headstock indicated special order
"Slab board" rosewood indicated pre-mid-1962 neck
Original "spaghetti" logo intact
In-Person Evaluation: We met Tom in Grand Rapids. The guitar was extraordinary:
Original Surf Green finish with perfect aging
Yellow sealer coat visible in cavities (correct for custom colors)
All-original pickups, pots, and electronics
Cloth-covered wiring intact
Period-correct solder joints
Zero modifications
Original case with tremolo arm and hangtag
Authentication Details:
UV light showed consistent factory finish
Pot codes: 304-6249 (Stackpole, week 49 of 1962)
Neck date "11-62" matched serial number timeline
Tremolo block matched 1963 specifications
Tuners were correct Kluson Deluxe single-line
The Story: Tom's uncle purchased the guitar new in 1963 through special order (standard Stratocasters were sunburst—custom colors required upcharge). He played professionally for a few years, then got a "more modern" guitar in 1967 and stored the Strat in its case in the basement, where it remained for 52 years.
Outcome:
Our offer: $67,000
Online estimate: $25,000-35,000 (didn't account for matching headstock premium)
Local shop offer: $28,000 (didn't recognize authentic custom color)
Tom kept the case and tremolo arm as mementos, used proceeds for home renovation
Lesson: Custom colors on vintage Fenders can multiply value by 2-3x compared to standard finishes. Matching headstock adds another 30-50% premium. Authentication expertise is critical—many refinished guitars masquerade as original custom colors.
Case Study 3: The $38,000 Pennsylvania Pre-War Martin D-28
Discovery Story: Estate attorney Robert called us about a "really old guitar" found in a Pennsylvania farmhouse being liquidated. The owner had passed away with no heirs, and the estate was being settled through the state.
Initial Photos: Photos showed a Martin acoustic with distinctive herringbone trim—a strong indicator of pre-war D-28 (1931-1946).
Our Research:
Martin serial number visible inside: 67,XXX
Serial number indicated 1937 production
Herringbone trim discontinued in 1947 (authenticates pre-war)
Brazilian rosewood appearance (correct for era)
Vintage tuners appeared to be original Grover or Waverly
In-Person Evaluation: We drove to rural Pennsylvania. The guitar was remarkable:
1937 Martin D-28 Herringbone in exceptional condition
Brazilian rosewood back and sides with stunning grain
Adirondack spruce top (original red spruce)
Scalloped X-bracing (pre-war feature)
All-original tuners (Waverly gold-plated)
Bone nut and saddle (original)
Ebony bridge (original)
No cracks or structural issues
Minor finish checking appropriate for age
Some play wear but extremely clean
The Story: According to neighbors, the owner had purchased the guitar new in 1937 (we found the original purchase receipt—$75) and played it casually for decades. In the 1980s, he largely stopped playing, and the guitar sat in its case in a climate-controlled room until his death.
Outcome:
Our offer: $38,000
Local shop's estimate: $2,000-3,000 ("old Martin")
Online database range: $20,000-45,000 (lacked condition specificity)
Estate received full appraisal for court documentation
Proceeds went to state escheat process
Lesson: Pre-war Martin herringbone D-28s are among the most undervalued guitars by non-specialists. Many people see "old acoustic guitar" and assume modest value. Brazilian rosewood and scalloped bracing are key authenticators.
Case Study 4: The $18,000 Ohio Basement "Worthless" Goldtop
Discovery Story: Jennifer called us about a "heavy gold guitar" she found in her deceased mother's basement. She said, "It's probably junk—it weighs a ton and the finish is all cracked."
Initial Photos: Photos showed a Les Paul Goldtop with significant finish checking and tarnished gold finish—both positive signs of age and originality.
Our Research:
Serial number 6 XXXX indicated 1956 production
P-90 pickups visible (correct for 1956)
Tune-o-matic bridge and separate stopbar (correct post-1954)
"Heavy" weight often indicates solid mahogany body (authentic)
Finish checking indicates nitrocellulose (authentic vintage finish)
In-Person Evaluation: We met Jennifer in Toledo. The guitar exceeded expectations:
1956 Gibson Les Paul Goldtop
All-original P-90 pickups with correct covers
Original ABR-1 bridge and aluminum stopbar
Kluson Deluxe tuners with single-line stamp
Nitrocellulose finish with heavy checking (proves originality)
Brazilian rosewood fingerboard with trapezoid inlays
Neck profile correct for 1956
Electronics all original (confirmed via pot codes)
Original brown case with pink lining
Authentication Details:
Pot codes: 137-6438 (CTS, week 38 of 1964... wait, this was concerning)
Further investigation: Electronics had been refreshed in 1964 (common maintenance)
Original solder joints remained on pickup leads
P-90 pickups tested original (correct DC resistance)
Pickup mounting rings original (age-appropriate patina)
The Story: Jennifer's stepfather bought the guitar used in 1963. He played it actively until 1964 when the pots became scratchy and a guitar tech replaced them (documented in service receipt found in case). He then "upgraded" to a new 1965 Fender and stored the "outdated" Les Paul in the basement.
Outcome:
Our offer: $18,000
Jennifer's expectation: "Maybe $500 if I'm lucky"
Local pawn shop offer: $2,500
Guitar shop offer: $8,000 (with recommendation to refinish)
Lesson: Replaced electronics reduce value but don't eliminate it. A $28,000 all-original 1956 Goldtop is still worth $18,000 with replaced pots if everything else is authentic. Heavy finish checking is a strong authenticity marker, not damage. Never refinish vintage guitars.
Special Situations & How We Handle Them
Scenario 1: "I Found Multiple Guitars"
Common in:
Collector estates
Working musician estates
Music teacher estates
Family with multiple guitar players
How Edgewater handles this:
Evaluate all instruments at once (more efficient)
Provide comprehensive estate inventory
Package pricing for multiple guitars
Priority authentication for highest-value pieces
Family can mix keeping some, selling others
Recent example: We purchased 7 guitars from a Cleveland estate: one 1964 Stratocaster ($32,000), one 1961 SG/Les Paul ($22,000), two 1970s Fenders ($3,500 each), three student models ($200-400 each). Total: $61,800. Family kept sentimental acoustic, sold the valuable electrics.
Scenario 2: "The Guitar Has Damage or Repairs"
Common damage types:
Headstock cracks or breaks
Top cracks (acoustics)
Finish chips or wear-through
Missing parts
Broken hardware
How we assess:
Professional repair adds less value reduction than amateur repair
Location of damage matters (headstock breaks worst)
Stable repairs acceptable to many collectors
Some damage doesn't affect playability or value significantly
Value impact examples:
Professional headstock repair: -30% to -40% value
Top crack (stable, repaired): -10% to -20% value
Finish chips (natural wear): Minimal impact, sometimes positive
Missing covers or knobs: -5% to -15% depending on replaceability
What we offer:
Honest assessment of damage impact
Fair pricing reflecting actual market for condition
Often pay more than shops that see only the damage
Scenario 3: "I'm Not Sure If I Want to Sell"
Common concerns:
Should I keep it for sentimental reasons?
Will it appreciate more if I wait?
Should I give it to a family member who plays?
What if I regret selling?
Our approach:
No pressure to sell after appraisal
Happy to provide information to help you decide
Can advise on appreciation potential
Suggest insurance coverage if keeping
Recommend climate-controlled storage if valuable
Market timing reality:
Vintage guitar market is generally appreciating 5-10% annually
Some models appreciating faster (custom colors, early examples)
Cash today vs. potential appreciation is personal decision
Proper storage costs and insurance costs matter
What we tell clients: "If the guitar has strong sentimental value, keep it and insure it properly. If it's from someone you didn't know well or you need the capital, selling makes sense. We'll be here either way."
Scenario 4: "I Think It Might Be Fake"
Red flags that concern owners:
Serial number doesn't match online databases exactly
Logo looks slightly different than examples online
Features seem wrong for claimed year
"Too good to be true" condition
Price seems too high for how it was acquired
Our authentication process addresses this:
Multiple verification methods (not just serial number)
Comparison to known authentic examples in our database
UV light testing for refinishes
Hardware and electronics verification
"Too good to be true" guitars sometimes ARE good and true
Fake detection:
Serial numbers can be wrong (transitional periods, special runs)
Small variations in logo are normal (different years, different applications)
Features that seem "wrong" may be correct for transitional periods
Sometimes "fakes" are actually rare variants
Recent example: Customer brought us 1960 Les Paul with serial number that didn't match any database. After investigation: guitar was from January 1960 when Gibson was transitioning serial number systems. Features all authenticated correctly. Customer thought it was fake, almost threw it away. Actually worth $35,000.
Scenario 5: "The Case is Destroyed But Guitar Seems Okay"
Common scenario:
Case found water-damaged, moldy, or deteriorated
Guitar inside appears intact
Concern about whether guitar is ruined too
What usually happens:
Hard cases protect guitars remarkably well
Even moldy cases often have pristine guitars inside
Water damage to case doesn't mean water damage to guitar
What to check:
Look for evidence of water inside case (staining, warping)
Check if guitar finish shows water damage (clouding, checking)
Smell for mold inside guitar (acoustics)
Check for rust on metal parts (indicates moisture exposure)
Our assessment:
Guitar condition matters more than case condition
Original cases add value but aren't essential
We can still evaluate guitar thoroughly without case
Replacement cases available if guitar is valuable
Value impact:
Missing original case: -$200 to -$2,000 depending on model and era
Destroyed case: Same as missing (no value)
Guitar condition is 95% of value; case is 5%
After the Appraisal: Your Options
Once you have a professional authentication and valuation, you have several paths forward:
Option 1: Sell to Edgewater Guitars
Advantages:
Immediate cash payment (within days of accepting offer)
No consignment period or uncertainty
We handle all logistics
Fair market pricing (30-40% above typical shop offers)
Professional transaction documentation
No listing fees, auction fees, or commissions
Best for:
Estate liquidation situations
When you need capital promptly
If you want certainty and simplicity
When you don't want to deal with private buyers
If guitar has no sentimental value
Our process:
Written offer presented with appraisal
You have 7 days to accept, decline, or negotiate
Once accepted, we schedule pickup or meeting
Payment via your preferred method (check, wire transfer, cash)
Professional purchase agreement for your records
Option 2: Consignment Sales
What this involves:
Shop or auction house lists your guitar
You wait for them to find a buyer
They take 15-25% commission
Payment after sale (typically 30-180 days)
Advantages:
Potential for highest sale price
Professional marketing and buyer network
No upfront costs
Disadvantages:
Long wait time (average 90-120 days)
Commission fees reduce net proceeds
Risk of damage while in consignment
No guarantee of sale
Potential disputes about condition or pricing
When this makes sense:
Extremely rare guitars ($100,000+)
When you're not in a hurry
If you want to maximize absolute top dollar
For guitars with celebrity provenance
Our honest take: For most guitars under $50,000, consignment doesn't net significantly more than selling directly to knowledgeable buyer like Edgewater. Commission and wait time often offset any price premium.
Option 3: Private Sale
What this involves:
Listing guitar yourself on Reverb, eBay, Craigslist, etc.
Finding your own buyer
Handling negotiations and payment
Managing shipping or meeting
Advantages:
No commission fees (just listing fees)
Control over price and terms
Keep all proceeds
Disadvantages:
Time-consuming (photos, listing, answering questions)
Risk of scams, fraud, or payment issues
Shipping risk and cost
Safety concerns meeting strangers with valuable items
Need expertise to answer technical questions
Pricing uncertainty (too high = no sale, too low = lost money)
When this makes sense:
If you enjoy the sales process
For lower-value guitars ($2,000-5,000)
If you have time and expertise
When you're not in a hurry
What we tell clients: "Private sale can work well for $3,000 guitars. For $30,000 guitars, risk and hassle usually aren't worth potential extra proceeds. For $300,000 guitars, you need specialist auction houses or dealers."
Option 4: Keep and Insure
What this involves:
Maintaining the guitar in your possession
Getting proper insurance coverage
Storing in climate-controlled environment
Making informed decision about when to sell
Advantages:
Sentimental value preserved
Potential appreciation
Can change mind later
Passes to future generations
Disadvantages:
Insurance costs (~$500-2,000/year for valuable guitars)
Storage requirements
Risk of damage
Capital tied up in asset
Market fluctuation risk
When this makes sense:
Strong sentimental attachment
Family heirloom you want to preserve
Heir who plays and wants the guitar
Belief in significant future appreciation
What we recommend:
Get professional appraisal regardless (for insurance)
Schedule instrument properly ($25,000+ guitars need scheduled coverage)
Store in climate-controlled environment (65-75°F, 45-55% humidity)
Check market value every 2-3 years
Re-evaluate selling decision periodically
Option 5: Donation
What this involves:
Donating to museum, school, or charitable organization
Receiving tax deduction for fair market value
Guitar becomes permanent part of collection or program
Advantages:
Tax deduction equal to appraised value
Preserves guitar in public collection
Supports charitable mission
No sales hassle
Disadvantages:
Only beneficial if you itemize deductions
Tax benefit is percentage of value (not full value)
Need professional appraisal for IRS (costs $200-500)
Guitar must go to qualified organization
Can't reclaim guitar later
When this makes sense:
High income tax bracket
Sentimental reasons for donation
Want guitar in museum or educational setting
Estate tax planning purposes
Organizations we work with:
Rock and Roll Hall of Fame (Cleveland)
Musical Instrument Museum (Phoenix)
Various university music programs
We can provide tax-qualified appraisals for donations
Frequently Asked Questions
How quickly do I need to get an appraisal after finding a guitar?
No rush, but don't delay unnecessarily. The guitar has likely been in storage for decades—another few weeks won't matter. However:
Do this soon:
Take comprehensive photos
Document condition exactly as found
Store in stable environment
Research serial number
Schedule appraisal within:
1-2 months for potentially valuable guitars
ASAP if guitar has damage concerns
ASAP if estate liquidation has timeline
Why not to wait years:
Market conditions change
Guitar condition can deteriorate
Estate matters may require valuation
Opportunity cost of not knowing value
What if the guitar has been modified?
Modifications reduce value but don't eliminate it. Common modifications and their impact:
Major modifications:
Refinished: -40% to -60% value
Routed for different pickups: -25% to -40%
Replaced neck: -40% to -60%
Replaced pickups: -20% to -30%
Minor modifications:
Refret (professional): -5% to -15%
Tuner replacement: -10% to -20%
Electronics upgrade: -15% to -25%
Added strap buttons: -2% to -5%
Key point: A modified 1959 Les Paul is still worth $80,000-150,000 even though original would be $300,000+. Modified vintage guitars still have substantial value—just be honest about modifications.
Should I have the guitar restored before selling?
Almost never. Here's why:
Restoration reduces value more than it adds:
Refinishing: Massive value loss (40-60%)
Electronics restoration: May be okay if done by experts, but risky
Structural repairs: Only if necessary for stability
Exceptions:
Structural damage requiring immediate attention to prevent further deterioration
Loose braces on acoustics (internal, not visible cosmetically)
Restoration by recognized experts (Dan Erlewine, etc.) for museum-quality instruments
What buyers want:
Original condition, even with issues
Honest wear and patina
Documented history of any work done
Stable structure (repairs okay if needed)
Our advice: Sell as-is. Let the buyer decide about restoration. Attempting restoration often costs more than value increase.
How do I store the guitar until I decide what to do?
Proper storage preserves value:
Climate:
65-75°F temperature (constant)
45-55% relative humidity
Avoid temperature fluctuations
No basements, attics, or garages
Position:
In hardshell case (if available)
Flat or on guitar stand (not leaning)
Strings slightly loosened (electric guitars)
Acoustics can maintain some tension
Protection:
Away from direct sunlight
Not near heaters, AC vents, windows
Secure location (valuable guitars are targets)
Check periodically for any changes
What to avoid:
Wall-hanging (neck pressure over time)
Leaning in corner (can warp)
Extreme humidity or dryness
Temperature swings
What documentation increases value?
Most valuable documentation:
Original purchase receipt (10-20% value increase)
Original case candy (hangtags, literature) (5-10% increase)
Photos with original owner (5-10% increase)
Celebrity provenance (can double/triple value)
Service records from reputable shops (5% increase)
Nice to have:
Original case (if not destroyed)
Period advertisements featuring model
Magazine articles about the model
Correspondence about the guitar
Don't worry if you have none: Most vintage guitars have zero documentation. Guitar's intrinsic qualities (brand, year, condition, originality) determine 90% of value.
How do I know if Edgewater's offer is fair?
We encourage due diligence:
Compare our offer to:
Completed sales on Reverb.com for same model/year/condition
Heritage Auctions results for similar guitars
Dealer listings (remember: asking prices, not selling prices)
Multiple dealer opinions
Red flags of unfair offers:
Pressure to decide immediately
Advice to modify guitar before selling
Offer contingent on you doing repairs
No written documentation of offer
Vague condition descriptions
Why our offers are competitive:
We pay 30-40% more than typical shops (verifiable)
Written offers you can compare
No pressure to accept (7-day decision period)
We encourage getting second opinions
Transparent about how we determined value
Client feedback: "We got three quotes: local shop $18,000, online dealer $23,000, Edgewater $29,500. Edgewater explained exactly why it was worth more—the others missed the original custom color." - Mike T., Detroit
What if my guitar is valuable but I'm not in your service area?
We have options:
For extremely valuable guitars ($50,000+):
We can travel to additional locations
Schedule extended trips covering multiple states
Coordinate with trusted colleagues in other regions
For valuable guitars ($10,000-50,000):
Detailed remote authentication via extensive photos
Video call evaluation
Referral to trusted colleagues in your area
Potential coordinated shipping (rare, high-value only)
For moderate value ($5,000-10,000):
Remote evaluation and authentication
Referral to reputable buyers in your area
Can still provide written appraisal for fee
Geographic expansion: We're actively expanding into additional Midwest and East Coast markets. Contact us regardless of location—we may be able to help or will refer you to trusted colleagues.
Contact Edgewater Guitars Today
If you've found an old guitar in an attic, basement, closet, or storage unit, don't let it sit another day without knowing what you have.
Three easy ways to get started:
📧 Email Evaluation (Free)
Submit photos and information through our online contact form:
Include all requested photos (see documentation section above)
Provide any known history or background
Upload clear images of serial numbers and logos
Describe finding circumstances
Response time: 24-48 hours with preliminary assessment
📞 Phone Consultation (Free)
Call us directly to discuss your discovery:
(440) 219-3607
Speak with vintage guitar specialists
Get immediate preliminary guidance
Schedule in-person evaluation if appropriate
Available: Monday-Saturday, 9am-6pm EST
🏢 In-Person Evaluation (Free for Valuable Instruments)
Schedule appointment for hands-on assessment:
We travel to you throughout Ohio, Michigan, Pennsylvania, Indiana, West Virginia
Complete authentication and documentation
Immediate written appraisal
No-pressure consultation about your options
Scheduling: Typically within one week of initial contact
Don't Make These Costly Mistakes
Before you do anything else, remember:
❌ Don't clean or polish it ❌ Don't take it to a general music store ❌ Don't string it up or tune it ❌ Don't attempt repairs ❌ Don't replace "worn out" parts ❌ Don't trust online instant valuations
✅ DO document thoroughly with photos ✅ DO research brand and serial number ✅ DO contact specialist vintage buyers ✅ DO get professional authentication ✅ DO preserve exactly as found ✅ DO understand your options before deciding
Additional Free Resources
Learn more about vintage guitar identification:
Gibson Serial Number Lookup Tool - Comprehensive database covering 1902-present
Fender Serial Number Lookup Tool - Complete Fender dating guide
How to Tell If a Guitar is Valuable - Complete authentication guide
Vintage Guitar Authentication Red Flags - Spot fakes and refinishes
Estate Guitar Valuation Guide - Special considerations for inherited instruments
Why Families Trust Edgewater Guitars
Over 500 Estate Guitars Purchased
We've helped hundreds of families navigate estate situations throughout the Midwest:
Respectful, empathetic approach to sensitive situations
Clear communication with multiple heirs
Professional documentation for estate purposes
Fair valuations accepted by attorneys and courts
30-40% Higher Offers Than Guitar Shops
We consistently pay more because:
Direct collector relationships mean faster turnover
Expertise lets us recognize value others miss
Lower overhead than retail stores
We're buying to add to serious collections, not to flip for retail markup
No-Pressure Professional Service
Our philosophy:
Free preliminary evaluations
Honest assessments even if we're not buying
7-day decision period after written offer
Encourage second opinions and due diligence
Happy to provide information to help you decide
20+ Years of Vintage Guitar Expertise
Our team specializes in:
Pre-1970 American guitar authentication
Custom color verification
Finish originality assessment
Electronics dating and verification
Market valuation and pricing trends
Final Thoughts
Finding an old guitar in an attic, basement, or storage area is a moment filled with potential—and questions. While not every discovery is a treasure, many attic-found guitars turn out to be valuable instruments that have been sitting forgotten while their value appreciated dramatically over decades.
The difference between a valuable find and a missed opportunity often comes down to three things:
Recognizing potential value before making mistakes
Documenting thoroughly before any changes
Getting professional authentication from experts who actually buy guitars
Whether your found guitar is worth $500 or $500,000, you deserve honest, expert evaluation so you can make informed decisions about what to do with your discovery.
Don't let another day pass wondering what you have.
Contact Edgewater Guitars today for your free preliminary evaluation. We'll help you understand exactly what you've found—with no pressure, no obligation, and no cost for initial assessment.
About Edgewater Guitars:
Edgewater Guitars specializes in purchasing vintage American guitars throughout the Midwest. Our team has over 20 years of experience authenticating and valuing Gibson, Fender, and Martin instruments from the 1930s-1970s. We've helped hundreds of families understand and properly value guitars found in estates, attics, and storage situations. Based in Ohio, we serve clients throughout Ohio, Michigan, Pennsylvania, Indiana, and West Virginia with in-person evaluation and immediate cash purchases.
📧 Contact: Online Form
📞 Phone: (440) 219-3607
📍 Service Area: Ohio, Michigan, Pennsylvania, Indiana, West Virginia
Last Updated: January 2025
Edgewater Guitars is an independent vintage guitar buyer specializing in pre-1970 American instruments. We are not affiliated with Gibson, Fender, Martin, or any guitar manufacturer. All brand names are used for identification purposes only.
