1980s Gibson Korina Moderne, Explorer, and Flying V Reissues: The Legendary Modernistic Series Returns

Why the 1980s Korina Reissues Matter

In the early 1980s, Gibson made a bold decision that would thrill collectors and players alike—reissuing the legendary "Modernistic" series guitars in their original Korina wood. These weren't standard production guitars but limited runs that attempted to recapture the magic of the rarest vintage Gibson instruments ever made.

The 1980s Korina reissues hold a unique place in guitar history because they represent:

• Gibson's first serious attempt to recreate the ultra-rare 1958-1959 originals

• The last time Gibson used genuine Korina (African Limba) wood for these models

• Limited production numbers that make them collectible in their own right

• A bridge between unobtainable vintage originals and modern reproductions

• Superior craftsmanship from Gibson's Kalamazoo, Michigan facility before the 1984 move to Nashville

What makes these 1980s reissues special is that they were built during a period when Gibson still had access to genuine Korina wood and employed craftsmen who understood the original construction methods. Unlike later reissues that used mahogany or other substitutes, these instruments featured the same blonde African Limba that made the originals legendary.

Historical Context: The Original Modernistic Series

To understand why the 1980s reissues matter, you need to know the story of the originals.

The 1958-1959 Originals:

In 1957, Gibson president Ted McCarty introduced three radical designs—the Flying V, Explorer, and Moderne—that were unlike anything the guitar world had seen. These "Modernistic" series guitars featured:

• Korina (African Limba) body and neck construction

• Futuristic, angular body shapes

• PAF humbucking pickups

• Gold-plated hardware

• Natural blonde finish showcasing the Korina's beautiful grain

The problem? They were too radical for 1950s guitarists. The Flying V saw fewer than 100 examples produced in 1958-1959, while the Explorer had even lower production—fewer than 40 instruments. The Moderne, despite appearing in Gibson's catalog, may never have been produced at all in the 1950s (though this remains a subject of intense debate among vintage guitar experts and historians).

By 1959, Gibson had largely given up on these radical designs, making the originals among the rarest and most valuable vintage guitars in existence today. Original Korina Flying Vs and Explorers command prices that put them out of reach for all but the most serious collectors, while authenticated Modernes (if any original 1950s examples exist) would be priceless museum pieces.

Gibson's 1980s Revival:

In the early 1980s, as vintage guitar prices soared and the originals became unobtainable for most players, Gibson decided to reissue these legendary instruments. The timing was significant—Korina wood was still available, and the Kalamazoo factory still housed craftsmen who understood vintage Gibson construction methods.

The reissue program began around 1982-1983 and continued in limited numbers through the mid-1980s. These weren't mass-produced instruments but carefully crafted limited editions meant to appeal to serious collectors and players who wanted to experience the Modernistic designs without the impossible price tags of the originals.

Understanding the Three Models

The Flying V Reissue

The Flying V was the most "successful" of the original Modernistic trio (relatively speaking), and thus became the most commonly reissued model in the 1980s. Gibson's 1980s Korina Flying V reissue captured the essence of the original with:

Design Features:

• Genuine Korina body and neck construction

• String-through body design (like the originals)

• V-shaped body with pointed "wings"

• Gold-plated hardware throughout

• Natural finish showcasing Korina grain

• Rounded neck joint (not the sharp angle of later mahogany versions)

The Flying V reissue was the most faithful to the original specifications, with Gibson's craftsmen paying careful attention to body dimensions, neck profile, and hardware placement. The use of genuine Korina was critical—this wood species has distinct tonal properties and a beautiful blonde color with ribbon-striped grain that makes each instrument unique.

The Explorer Reissue

The Explorer reissue represented Gibson's attempt to recreate what might be the rarest production electric guitar ever made. The 1980s Korina Explorer featured:

Design Features:

• Genuine Korina body and neck

• Angular, asymmetrical body shape

• Gold-plated hardware

• Natural Korina finish

• String-through or stop tailpiece (varied during production)

• Droopy headstock shape closer to the original split-headstock design

The Explorer presented unique challenges for Gibson. The original 1958 prototypes had a "split-headstock" design that was later changed to a more conventional shape for the few production models. Gibson's 1980s reissue used a headstock shape that referenced the originals while remaining practical for modern players.

The Moderne Reissue

The Moderne is perhaps the most interesting of the three reissues because it may represent the only time this design was ever actually produced. Whether any original 1950s Modernes were built remains one of guitar history's great mysteries.

Design Features:

• Genuine Korina body and neck

• Unique body shape combining elements of both the V and Explorer

• Distinctive "shark fin" upper bout

• Asymmetrical lower bout

• Gold-plated hardware

• Natural Korina finish

• Unique headstock shape

The Moderne's rarity in the reissue series—fewer were produced than either the V or Explorer—makes it highly sought after by collectors today. This model represents your only realistic opportunity to own a Moderne, as confirmed original 1950s examples either don't exist or number in the single digits.

Detailed Identification Guide

Authenticating a 1980s Korina reissue requires examining multiple features:

Serial Numbers

1980s Gibson guitars used an 8-digit serial number format typically stamped on the back of the headstock. The format was:

• First digit = decade (8 = 1980s)

• Second digit = year within decade (0-9 for 1980-1989)

• Remaining digits = production number

Example: 82314567 would indicate 1982 production

However, Gibson's serial number system in this era had inconsistencies, and some instruments were stamped with ink rather than impressed into the wood. Cross-referencing with other dating features is essential.

Factory Stamps and Markings

Made in USA Stamp: All 1980s reissues should have a "Made in USA" stamp on the back of the headstock, typically below the serial number.

Control Cavity Stamps: Inside the control cavity, you may find:

• Pencil dates or inspector marks

• Factory order numbers

• Model designation stamps

Neck Heel Stamps: When the neck is removed, look for date stamps on the neck heel and in the neck pocket. These often provide more accurate dating than serial numbers.

Potentiometer Codes

The potentiometers (volume and tone controls) provide crucial dating information. 1980s Gibson instruments typically used CTS (Chicago Telephone Supply) potentiometers with codes reading:

Format: 137YYWW

• 137 = CTS manufacturer code

• YY = Year (82 = 1982, 83 = 1983, etc.)

• WW = Week of manufacture

Authentic 1980s Korina reissues should have pot codes matching the approximate period of production. Replacement pots or codes from significantly different years indicate modifications.

Wood Identification

Genuine Korina Characteristics:

• Blonde to light tan natural color

• Ribbon-stripe grain pattern

• Medium to coarse grain texture

• Distinctive figure that runs in long, straight patterns

• Lighter weight than mahogany

• Subtle luster when finished

Red Flags:

• Dark brown color (indicates mahogany, not Korina)

• Very uniform grain without figure

• Heavy weight (Korina is relatively lightweight)

• Extremely tight or extremely coarse grain (Korina is medium)

The quality of Korina varied during the 1980s production run. Earlier examples often feature more dramatic grain figure, while later examples may have plainer wood as premium Korina became harder to source.

Hardware Specifications

Tuners:

• Vintage-style Kluson reproductions

• Gold-plated with tulip-shaped buttons

• Three-on-a-side configuration

• Should be stamped "Kluson Deluxe" or similar marking

Bridge and Tailpiece:

• Tune-o-matic bridge (ABR-1 style)

• Stop bar tailpiece or string-through body (depending on model and year)

• All gold-plated hardware

• Should show appropriate aging for a 40+ year old instrument

Pickups:

• Tim Shaw-designed humbuckers (early 1980s)

• Later production may have different pickup designs

• All should be gold-plated covers

• Double-cream or zebra bobbins underneath covers

Case and Documentation

Authentic 1980s Korina reissues came with:

• Brown hardshell case with pink plush lining

• Certificate of Authenticity (many have been lost over time)

• Hang tags indicating "Korina" construction

• Owner's manual

The case alone doesn't prove authenticity, but original cases with matching serial numbers add to provenance and overall collector appeal.

Detailed Physical Specifications

Flying V Specifications

Body:

• Korina body with symmetrical V shape

• Thickness: Approximately 1.75 inches

• Weight: Typically 7.5-8.5 lbs (lighter than mahogany versions)

• String-through body construction

• Natural finish with clear lacquer

Neck:

• One-piece Korina neck

• Profile: Medium-chunky "soft V" shape

• Scale length: 24.75 inches (Gibson standard)

• Nut width: 1-11/16 inches

• 22 frets

• Rosewood fingerboard with dot inlays (early) or pearloid dots (later)

• Fretboard radius: 12 inches

Electronics:

• Two humbucking pickups

• Individual volume and tone controls

• Three-way toggle switch

• .022 μF capacitors

Explorer Specifications

Body:

• Korina body with asymmetrical angular shape

• Thickness: Approximately 1.75 inches

• Weight: Typically 8-9 lbs

• String-through or stop tailpiece (varied)

• Natural finish with clear lacquer

• Slightly longer body than Flying V

Neck:

• One-piece Korina neck

• Profile: Medium "rounded" shape

• Scale length: 24.75 inches

• Nut width: 1-11/16 inches

• 22 frets

• Rosewood fingerboard with dot or pearloid inlays

• Fretboard radius: 12 inches

• Distinctive "droopy" headstock shape

Electronics:

• Two humbucking pickups

• Individual volume and tone controls

• Three-way toggle switch

• .022 μF capacitors

Moderne Specifications

Body:

• Korina body with unique asymmetrical shape

• "Shark fin" upper bout

• Thickness: Approximately 1.75 inches

• Weight: Typically 7.5-8.5 lbs

• Natural finish with clear lacquer

• Most complex body shape of the three models

Neck:

• One-piece Korina neck

• Profile: Medium "rounded" shape

• Scale length: 24.75 inches

• Nut width: 1-11/16 inches

• 22 frets

• Rosewood fingerboard with dot or pearloid inlays

• Fretboard radius: 12 inches

• Unique headstock shape specific to Moderne

Electronics:

• Two humbucking pickups

• Individual volume and tone controls

• Three-way toggle switch

• .022 μF capacitors

Tonal Characteristics

The 1980s Korina reissues offer distinctive tonal properties that set them apart from standard mahogany Gibson guitars:

The Korina Sound

Frequency Response: Korina as a tonewood occupies an interesting middle ground between mahogany and maple. Players and experts describe the characteristics as:

• Lows: Tight and articulate rather than boomy—less low-end emphasis than mahogany

• Mids: Present but not as pronounced as mahogany—clearer and more defined

• Highs: Enhanced high-frequency response with excellent clarity and sparkle

• Resonance: Strong fundamental with complex overtones and excellent sustain

Attack and Response:

• Quick, responsive attack with excellent note definition

• Less compression than mahogany—notes retain clarity in complex chords

• Enhanced harmonic content that works well with both clean and overdriven tones

• Excellent dynamic range—responds well to playing touch

Pickup Interaction

The Tim Shaw-designed humbuckers used in early 1980s reissues were specifically voiced to complement the Korina wood:

Neck Pickup:

• Warm but clear jazz tones

• Excellent for blues and classic rock

• Less muddy than mahogany-bodied guitars

• Retains definition even with heavy distortion

Bridge Pickup:

• Bright, cutting tone with excellent clarity

• Powerful output without harshness

• Ideal for rock and hard rock applications

• Harmonic complexity that works well for lead playing

Middle Position:

• Unique hollow, bell-like quality

• Excellent for clean rhythm work

• Funky, quacky tones similar to Stratocaster middle position

• Great for blues and country applications

Comparison to Other Tonewoods

Korina vs. Mahogany:

• Korina offers more high-frequency content and less midrange emphasis

• Lighter weight typically results in enhanced resonance

• Faster attack and tighter low end

• Less warm, more transparent overall character

Korina vs. Maple:

• Korina has more body and warmth than maple

• Similar high-frequency clarity but with more midrange presence

• More complex harmonic structure

• Better balance across the frequency spectrum

Aging Characteristics

After 40+ years, these instruments have developed additional tonal complexity:

• Nitrocellulose finish has aged and thinned, allowing more wood resonance

• Pickups have aged, often developing slightly lower output and more vintage character

• Wood has dried and stabilized, often improving resonance and sustain

• Overall tonal maturity that can't be replicated in new instruments

Common Issues and Modifications

Typical Age-Related Issues

Finish Checking: The nitrocellulose finish on these instruments will show checking (fine cracks in the finish) after 40+ years. This is normal and actually desirable to collectors as it indicates an original finish. Look for:

• Fine spider-web patterns across the body

• More pronounced checking in areas of stress (back of neck, body edges)

• Natural darkening of the finish to a slight amber tone

Hardware Tarnishing: Gold-plated hardware naturally wears over time:

• Gold plating may show wear on tuning keys and bridge saddles

• Brass showing through in high-contact areas is normal

• Complete replating reduces collector value—original worn gold is preferred

Fret Wear: After decades of playing, many examples show:

• Groove wear in the first few frets

• Flattening of fret crowns

• Some examples may have had professional refret work

• Original frets in good condition are preferred but refrets don't significantly impact value if done professionally

Electronic Issues: Original potentiometers and wiring may exhibit:

• Scratchy or intermittent pots requiring cleaning or replacement

• Oxidized switch contacts

• Worn output jack

• Original electronics are highly desirable even if they require servicing

Modifications to Watch For

Pickup Replacements: Many players have installed aftermarket pickups such as:

• Seymour Duncan pickups

• DiMarzio pickups

• Modern Gibson pickups

While these may improve tone for some players, original Tim Shaw pickups are highly collectible. If purchasing an instrument with replacement pickups, ask if the originals are included.

Tuner Upgrades: Some owners have replaced the vintage-style Kluson tuners with:

• Modern locking tuners

• Grover Rotomatics

• Gotoh tuners

Original Kluson-style tuners are essential for collector value. Keep any original parts if modifications are made.

Finish Touch-Ups: Look carefully for:

• Areas of overspray indicating touch-up work

• Color mismatches in repaired areas

• Filled dings or chips

• Complete refinishing (major value impact)

Case Modifications: Some owners have modified or replaced cases:

• Non-original cases significantly impact collectibility

• Modified interior foam or coverings

• Removed or replaced case candy (paperwork, accessories)

Production Variations and Years

Early Production (1982-1983)

The earliest examples often feature:

• Higher-quality Korina wood with dramatic grain

• Tim Shaw-designed pickups

• More attention to vintage-accurate details

• Kalamazoo factory production

• Brown cases with pink plush lining

• More comprehensive documentation packages

These early examples are particularly desirable to collectors as they represent Gibson's first serious attempt to recreate the originals with the best available materials.

Mid-Production (1984-1985)

The 1984 move from Kalamazoo to Nashville marked a transition:

• Some examples built in Kalamazoo, others in Nashville

• Slight variations in quality control during the factory transition

• Continued use of genuine Korina wood

• Pickup specifications may vary

• Documentation may be less comprehensive

Late Production (1986-1989)

Later examples show:

• Korina quality becoming more variable as premium wood became scarcer

• Some production differences from earlier models

• Nashville factory production standard

• Possible hardware variations

• Some examples may have less dramatic grain figure

Why Collectors Value These Instruments

Historical Significance

The 1980s Korina reissues represent a unique moment in Gibson's history:

Last True Korina Instruments: These guitars represent the last time Gibson used genuine African Limba (Korina) for the Modernistic series. Subsequent reissues have used mahogany or other substitute woods, making the 1980s versions the closest you can get to the original 1950s experience.

Kalamazoo Connection: Early examples were built in Gibson's legendary Kalamazoo factory, connecting them to the golden era of American guitar manufacturing. This factory produced some of Gibson's most revered instruments from the 1940s through the early 1980s.

Bridge to the Originals: For players and collectors who appreciate the Modernistic designs but can't access original 1950s examples, these reissues provide an authentic experience at a fraction of the cost.

Playing Qualities

Beyond collectibility, these instruments are exceptional players:

Ergonomics:

• The angular designs, while unconventional, are remarkably comfortable

• Well-balanced despite unusual shapes

• Excellent access to upper frets

• Comfortable seated or standing

Versatility:

• Capable of everything from jazz to hard rock

• The Korina tonewood provides versatility across genres

• Responds well to different playing styles and techniques

Stage Presence:

• Unmistakable visual impact

• Associated with legendary players (Albert King, Jimi Hendrix used Flying Vs)

• Conversation-starter instruments with serious tone to back up the looks

Investment Perspective

These instruments have shown consistent appreciation:

Limited Production: The relatively small number produced in the 1980s means supply is finite while demand continues to grow.

Wood Scarcity: Genuine Korina is no longer readily available, making these instruments irreplaceable.

Collector Recognition: As the vintage guitar market has matured, collectors increasingly recognize these reissues as significant instruments in their own right.

Generational Transfer: Baby Boomer collectors who purchased these instruments new in the 1980s are beginning to sell or pass down their collections, creating both supply and renewed interest.

Authentication Red Flags

Be cautious of instruments claiming to be 1980s Korina reissues that show:

Wrong Wood:

• Dark brown mahogany instead of blonde Korina

• Very heavy weight (Korina is relatively light)

• No ribbon-stripe grain figure

• Extremely uniform, plain grain

Serial Number Issues:

• Serial numbers that don't match 1980s format

• Missing serial numbers

• Obvious re-stamping or alteration

• Serial numbers that don't correlate with pot codes

Hardware Inconsistencies:

• Chrome or nickel hardware (should be gold)

• Modern tuner styles

• Wrong bridge type

• Metric measurements (vintage specs are imperial)

Finish Problems:

• Thick polyurethane finish (should be nitrocellulose)

• Modern finishes without checking

• Unusual colors or stains

• Obvious refinishing work

Documentation Red Flags:

• Photocopied or reprinted certificates

• Case with wrong interior color (should be pink)

• Modern hang tags or paperwork

• Mismatched case serial numbers

The Moderne Mystery

The Moderne deserves special attention because of its unique place in guitar history.

The Original Question: Whether any Modernes were actually produced in the 1950s remains one of vintage guitar collecting's great mysteries. Gibson featured the design in 1957 catalog materials, but no confirmed original examples have ever been authenticated. This makes the 1980s reissue potentially the only production Moderne that has ever existed.

Collecting the Unobtainable: For players and collectors fascinated by the Moderne design, the 1980s reissue is likely your only opportunity to own one. This unique status makes the Moderne reissue particularly collectible.

Production Numbers: Fewer Moderne reissues were produced than Flying Vs or Explorers, adding to their scarcity. The unusual body shape also means fewer have survived in excellent condition—the distinctive "shark fin" is vulnerable to damage.

Selling Your 1980s Korina Reissue

If you own one of these remarkable instruments, understanding your selling options is important.

Why These Instruments Command Premium Values

Scarcity Factors:

• Limited production in the 1980s

• Last genuine Korina instruments Gibson produced

• Many have been modified, making all-original examples increasingly rare

• Time continues to reduce the number of excellent-condition survivors

Market Trends:

• Growing recognition of 1980s Gibson quality

• Increasing appreciation for pre-Nashville Kalamazoo production

• Korina wood scarcity driving interest

• Strong demand from both players and collectors

What Affects Your Instrument's Value

Critical Factors:

1. Originality: All-original instruments with no modifications command significant premiums

2. Condition: Excellent condition with minimal wear, all original parts, and no repairs

3. Documentation: Original case, certificate of authenticity, and hang tags

4. Wood Quality: Examples with exceptional Korina grain figure are particularly desirable

5. Production Year: Earlier Kalamazoo examples often command premiums

6. Model: Moderne reissues are rarest, followed by Explorer, then Flying V

Condition Grading:

• Excellent: Light play wear, all original parts, minor finish checking, fully functional

• Very Good: Moderate play wear, all original parts, normal aging for 40+ years

• Good: Heavy play wear, possible minor modifications, some finish issues

• Fair: Significant wear, modifications, repairs needed

The Edgewater Guitars Advantage

When you're ready to sell your 1980s Korina reissue, Edgewater Guitars offers distinct advantages:

Expert Authentication:

• Thorough evaluation of originality

• Accurate identification of year and specifications

• Assessment of wood quality and figure

• Verification of all components

Premium Valuations: We specialize in collectible Gibson instruments and understand the market for 1980s Korina reissues. Our offers typically exceed local guitar shops by substantial margins because we recognize the true collector value of these instruments.

Streamlined Process:

• Free authentication and evaluation

• Immediate offers on qualified instruments

• We travel to you for valuable instruments

• Cash payment or bank transfer available

• All paperwork handled professionally

Geographic Service: Edgewater Guitars serves collectors throughout Ohio, Michigan, Pennsylvania, Indiana, and West Virginia. We'll travel to evaluate high-quality examples of these rare instruments.

Preparing Your Instrument for Sale

Gather Documentation:

• Original certificate of authenticity

• Original case and case candy

• Any purchase receipts or documentation

• Service records if applicable

• Photographs showing the instrument's history

Assessment Points:

• Serial number and location

• Pot codes in control cavity

• Condition of gold plating on hardware

• Quality and figure of Korina wood

• Any modifications or repairs

• Overall condition and playability

Professional Photography: Consider having professional photos taken showing:

• Overall instrument from multiple angles

• Close-ups of grain figure

• Serial number and markings

• Hardware details

• Any unique characteristics

• Any wear or condition issues

Common Seller Questions

Q: Should I have my instrument refretted before selling? A: No—collectors prefer original frets even with wear. Professional refrets don't significantly impact value if needed, but original frets are preferred.

Q: Will replacing worn gold hardware increase value? A: No—original hardware, even with wear, is preferred by collectors. Replacement hardware actually reduces collectibility.

Q: Should I have my instrument professionally appraised? A: A professional appraisal can provide documentation, but Edgewater offers free expert evaluation as part of our buying process.

Q: How important is the original case? A: Very important—original cases with matching serial numbers add significant value and authenticity.

Comparison to Other Gibson Reissues

1990s Korina Reissues

Gibson attempted additional Korina reissues in the 1990s, but these differ significantly:

• Often used substitute woods rather than genuine Korina

• Different pickup specifications

• Nashville production throughout

• Generally less collectible than 1980s examples

• Different case designs and documentation

2000s Historic Collection

Gibson's Historic Collection has produced various Modernistic reissues:

• Higher-quality reproductions with better accuracy

• Mahogany construction (not Korina)

• Excellent instruments but different category

• More expensive when new but different collector market

• Custom Shop production with higher build quality

Why the 1980s Korina Reissues Stand Apart

The 1980s examples occupy a unique market position:

• Genuine Korina wood (irreplaceable)

• Historical significance as first serious reissues

• Bridge between vintage and modern

• Increasingly recognized as collectible in their own right

• More affordable entry point than originals while retaining authentic materials

Famous Players and the Modernistic Designs

While the 1980s reissues themselves haven't achieved the iconic status of the originals, understanding the legacy of these designs adds context:

Flying V Legacy:

• Albert King's iconic upside-down Flying V playing

• Jimi Hendrix's psychedelic painted Flying V

• Lonnie Mack's early adoption of the design

• Dave Davies of The Kinks

• Michael Schenker's black and white Flying V

Explorer Legacy:

• The Edge (U2) made Explorers iconic in the 1980s

• Allen Collins (Lynyrd Skynyrd)

• James Hetfield (Metallica)

• Rick Nielsen (Cheap Trick)

Moderne's Unrealized Potential: The Moderne never achieved iconic player status because it was never widely available, making the 1980s reissue your opportunity to explore this "what if" of guitar history.

Preservation and Care

Storage Recommendations

Climate Control:

• Maintain 45-55% relative humidity

• Avoid temperature extremes (65-75°F ideal)

• Use room humidifiers/dehumidifiers as needed

• Monitor with a hygrometer

Case Storage:

• Always store in original case when not in use

• Keep case latched to maintain shape

• Check case periodically for deterioration

• Replace deteriorating foam or lining carefully

Display Considerations: If displaying your instrument:

• Avoid direct sunlight (can fade Korina wood)

• Use quality wall hangers designed for weight

• Maintain climate control

• Regular inspection for changes

Maintenance Best Practices

Cleaning:

• Use only vintage-safe polish (no silicone)

• Microfiber cloths for wiping down

• Preserve the aged patina—don't over-clean

• Clean gold hardware gently to avoid removing plating

String Changes:

• Regular string changes prevent corrosion

• Use proper gauges for the instrument

• Stretch strings properly during installation

• Clean under strings when changing

Setup Maintenance:

• Professional setups recommended

• Document any work performed

• Keep original parts if replacements needed

• Reversible modifications only

Electronic Maintenance:

• Clean pots with quality contact cleaner

• Test output jack regularly

• Address scratchy pots before they fail

• Keep original electronics even if replaced

Long-Term Preservation

Documentation:

• Photograph your instrument regularly

• Keep all paperwork organized

• Document any work or modifications

• Maintain provenance records

Insurance: Consider specialized musical instrument insurance that covers:

• Agreed value (not depreciated value)

• Worldwide coverage if you travel

• Replacement of vintage parts

• Professional appraisal documentation

Preventive Care:

• Annual professional inspection

• Humidity monitoring

• Regular playing (instruments benefit from use)

• Proper storage when not in use

Related Resources

Serial Number and Dating Resources

For comprehensive Gibson serial number information:

• Gibson Serial Number Lookup Tool - Complete database for all Gibson guitars

• Gibson Factory Order Numbers Explained - Understanding FON codes

• Dating Gibson Guitars by Potentiometer Codes - Essential pot code guide

Authentication Guides

Learn more about authenticating vintage and collectible Gibson guitars:

• Spotting Fake Gibson Guitars - Red flags and authentication tips

• Gibson Vintage Reissue Guide - Comprehensive overview of all reissue programs

• Korina vs Mahogany Identification - Wood identification tips

Modernistic Series Resources

Explore more about the legendary Modernistic designs:

• Original 1958-1959 Flying V Guide - Everything about the originals

• Original Explorer Identification - Rare vintage Explorer authentication

• The Moderne Mystery: Fact or Fiction? - Deep dive into whether originals exist

Contact Edgewater Guitars

Ready to discuss your 1980s Korina reissue? We're here to help.

Free Evaluation Services:

• Expert authentication of your instrument

• Detailed condition assessment

• Current market analysis

• Immediate purchase offers for qualified instruments

How to Reach Us:

• Phone: (440) 219-3607 (call or text)

• Service Area: Ohio, Michigan, Pennsylvania, Indiana, West Virginia

• Specialty: Premium vintage and collectible Gibson guitars

What to Have Ready:

• Serial number and location

• Photographs of the instrument

• Original case and documentation if available

• Description of condition and any modifications

• Your location for potential in-person evaluation

Conclusion: The Last True Korina Instruments

The 1980s Gibson Korina Moderne, Explorer, and Flying V reissues represent a unique chapter in guitar history—a moment when Gibson successfully recreated the legendary Modernistic series with authentic materials and traditional craftsmanship. As the last instruments Gibson produced using genuine Korina wood, these guitars bridge the gap between the impossibly rare and valuable originals and modern reissues that use substitute materials.

Whether you're a player seeking the distinctive Korina tone, a collector building a comprehensive Gibson collection, or an owner considering selling, these instruments deserve recognition as significant pieces of guitar history. Their limited production, authentic construction, and increasing scarcity make them notable instruments that will continue to appreciate among knowledgeable collectors.

At Edgewater Guitars, we understand the unique position these instruments occupy in the vintage guitar market. With over 20 years of experience authenticating and evaluating collectible Gibson guitars, we provide expert service throughout Ohio and the surrounding region. If you own one of these remarkable instruments, we'd welcome the opportunity to discuss its history, authenticity, and current market position.

Contact Edgewater Guitars today at (440) 219-3607 to discuss your 1980s Korina reissue.

Edgewater Guitars specializes in purchasing premium vintage and collectible guitars throughout Ohio, Michigan, Pennsylvania, Indiana, and West Virginia. Our expertise in Gibson's collectible instruments, combined with our understanding of the vintage guitar market, allows us to offer fair valuations that consistently exceed local guitar shop offers. We travel to you for high-value instruments and provide immediate purchase decisions backed by decades of experience in the vintage guitar market.