DATE :
Tuesday, June 17, 2025
1968 Gibson ES-335: The Last Great Pre-CBS Era ES-335
1968 Gibson ES-335: The Last Great Pre-CBS Era ES-335
The Final Chapter of Gibson's Golden Age
The 1968 Gibson ES-335 stands as the final year of what many collectors consider the true "golden era" of Gibson's semi-hollow masterpiece. This vintage represents the last ES-335 guitars built with the traditional long neck tenon and one-piece mahogany neck construction before Gibson made significant changes to their manufacturing processes in 1969. For players and collectors seeking the classic ES-335 tone and construction without the premium price of earlier models, the 1968 ES-335 offers exceptional value.
What makes the 1968 ES-335 particularly significant:
Last year of the long neck tenon design for enhanced sustain and stability
Final year before the introduction of the dreaded "volute" neck strengthening addition in 1969
Features desirable Patent Number humbucker pickups in the transitional period
Built during the end of Gibson's Kalamazoo manufacturing excellence
Represents excellent value compared to earlier pre-CBS models
Historical Context: Gibson's Transition Year
By 1968, Gibson was undergoing significant changes that would reshape the company's approach to guitar manufacturing. The Kalamazoo factory was still producing instruments using many of the traditional methods established in the 1950s, but changes were on the horizon that would mark the end of an era.
Several important developments occurred at Gibson during 1968:
Ted McCarty had left Gibson in 1966, ending his influential tenure as company president
Production methods were beginning to prioritize efficiency over some traditional construction techniques
Gibson was preparing for the manufacturing changes that would take effect in 1969
The company was still using premium materials and time-tested construction methods
The ES-335 line retained its reputation as a professional-grade instrument favored by touring musicians
Notable artists using ES-335s during this period included Eric Clapton, who famously played ES-335s with Cream, and Chuck Berry, who had made the model his signature guitar. The late 1960s represented the height of rock and blues music, and the ES-335's versatility made it a favorite among players seeking a guitar that could handle both clean jazz tones and overdriven rock sounds.
Current Market Value (2025 Update)
Key Value Factors:
Originality: All-original examples command significant premiums over modified instruments
Pickup authenticity: Original Patent Number pickups are highly valued
Neck condition: Any repairs or modifications significantly impact value
Finish condition: Sunburst and cherry finishes in good condition are most desirable
Hardware originality: Original Kluson tuners and Gibson hardware add value
Note: At Edgewater Guitars, we consistently pay 30-40% more than typical guitar shops for premium examples, recognizing the true market value of these exceptional instruments.
Detailed Identification Guide
Serial Numbers and Dating
1968 ES-335s typically feature 6-digit serial numbers die-stamped on the back of the headstock without the "Made in USA" stamp. The serial number ranges for 1968 ES-335s generally fall between 500,000-600,000, though Gibson's inconsistent numbering system of this era can create overlap with other years.
Key identification markers for 1968:
Serial location: Die-stamped on back of headstock
No "Made in USA" stamp (this appears in later years)
Orange label inside f-hole with model designation and serial number
Factory Order Number (FON) may also be present, typically on the neck block
Distinctive Features of 1968
Neck Construction:
One-piece mahogany neck (three-piece necks began appearing in mid-1969)
Long neck tenon extending to the neck pickup cavity
No volute (the neck strengthening feature introduced in 1969)
Slim taper profile with approximately 1 9/16" nut width
Body Features:
Larger f-holes distinguish 1968 models from 1967 and earlier
Semi-hollow construction with solid maple center block
Pointed cutaway horns (moved away from the "Mickey Mouse ears" of early 1960s)
Laminated maple top with mahogany back and sides
Electronics:
Patent Number humbucker pickups with chrome covers and black/white lead wires
Transitional Patent No. Sticker humbuckers delivering rich, PAF-like tones
Standard ES-335 wiring with individual volume and tone controls
Three-way pickup selector switch
Hardware Specifications
Tuners: Kluson double-ring, double-line "tulip" style tuners with white buttons Bridge: Tune-o-matic with nylon saddles Tailpiece: Trapeze tailpiece was standard (stopbar was special order and commands premium) Knobs: Black "witch hat" style knobs Pickguard: Single-layer white plastic with beveled edges Binding: White celluloid binding on body and neck
Detailed Physical Specifications
Weight: Typically 8.0-8.5 pounds Scale Length: 24 3/4 inches Neck Profile: Slim taper, approximately .820" at 1st fret, .920" at 12th fret Nut Width: 1 9/16 inches Fretboard: Rosewood with block position markers (mother-of-pearl) Fretboard Radius: 12 inches Frets: Medium jumbo wire Body Depth: 1 3/4 inches Body Width: 16 inches at lower bout Number of Frets: 22
Pickup Specifications:
Patent Number humbuckers with chrome covers
Resistance typically 7.0-8.5k ohms
Alnico 5 magnets (shorter than PAF-era long magnets)
Poly-wound (orange) wire in most 1968 examples
Black and white lead wires
Tonal Characteristics
The 1968 ES-335 delivers the classic semi-hollow sound that made this model legendary. The combination of the solid maple center block and hollow wings creates a unique tonal signature that bridges the gap between solid-body and full hollow-body guitars.
Sound Profile:
Warm, resonant mid-range with excellent note definition
Controlled feedback thanks to the center block construction
Rich harmonic content from the semi-hollow body resonance
Versatile dynamics responding well to pick attack and playing technique
Sustain and clarity enhanced by the long neck tenon construction
Pickup Characteristics: The Patent Number pickups found in 1968 ES-335s offer excellent tonal performance, with the pre-T-top versions being particularly prized for their PAF-like characteristics. These pickups typically feature:
Balanced frequency response with clear highs and warm lows
Excellent dynamic range suitable for both clean and overdriven tones
Vintage output levels perfect for tube amplifiers
Rich harmonic complexity without excessive noise
Comparison to Other Years: The 1968 ES-335 retains much of the tonal character of earlier models while offering improved consistency in manufacturing. Compared to post-1969 models, the 1968 maintains the superior sustain and resonance of the long neck tenon design.
Common Issues & Modifications
When evaluating a 1968 ES-335, collectors and players should be aware of several common issues and modifications that can affect both playability and value:
Typical Problems:
Neck repairs: Check for evidence of headstock breaks or neck resets
Pickup modifications: Many examples have had pickups changed or covers removed
Tailpiece conversions: Some trapeze tailpieces have been converted to stopbars
Tuner replacements: Original Klusons are often replaced with modern tuners
Fret wear: Most 58-year-old guitars require fret attention
Finish checking: Natural aging of nitrocellulose finish
Value-Affecting Modifications:
Refinishing: Significantly reduces value, even if professionally done
Non-original pickups: Aftermarket pickups decrease collector value
Drilled holes: Additional strap button or switch holes impact value
Neck modifications: Any neck work should be disclosed and affects pricing
Hardware changes: Non-original bridges, tailpieces, or tuners reduce authenticity
Authenticity Red Flags:
Volute on neck (indicates 1969 or later)
"Made in USA" stamp on headstock (post-1977 feature)
Three-piece neck (typically 1969 and later)
T-top pickups (usually 1966 and later, but overlap exists)
Modern-style serial numbers
Why Players and Collectors Value 1968 ES-335s
The 1968 ES-335 occupies a unique position in the vintage guitar market, offering several compelling advantages for both players and collectors:
For Players:
Classic ES-335 tone without the premium price of earlier models
Excellent build quality from Gibson's experienced Kalamazoo craftsmen
Professional-grade instrument suitable for recording and touring
Versatile sound appropriate for jazz, blues, rock, and pop music
Comfortable neck profile preferred by many modern players
For Collectors:
Historical significance as the final year of traditional construction
Appreciation potential as the vintage guitar market continues to mature
Relative rarity with lower production numbers than reissue models
Documentary value representing Gibson's transitional period
Investment stability with consistent market demand
Investment Considerations: The 1968 ES-335 represents excellent value in the vintage guitar market. These guitars offer most of the desirable features of earlier models at significantly lower prices than 1958-1964 examples. As the vintage guitar market has matured, collectors have increasingly recognized the quality and historical importance of these final "golden era" instruments.
Selling Your 1968 Gibson ES-335
If you own a 1968 ES-335, you're holding a piece of guitar history that represents both excellent musical value and solid investment potential. Edgewater Guitars specializes in purchasing vintage Gibson instruments and offers several advantages over other selling options:
Why Choose Edgewater Guitars:
Premium Valuations: We consistently pay 30-40% more than local guitar shops
Expert Authentication: Our team specializes in vintage Gibson identification and valuation
Immediate Payment: No waiting periods or consignment fees
Professional Evaluation: We understand the nuances that affect ES-335 values
Hassle-Free Process: We handle all logistics, including secure shipping for high-value instruments
Our Comprehensive Service: At Edgewater Guitars, we understand that selling a vintage guitar involves both financial and emotional considerations. Our team of experts can provide:
Free preliminary evaluation based on photos and description
Professional in-person appraisal for high-value instruments
Market analysis showing recent sales of comparable instruments
Honest assessment of condition factors affecting value
Immediate cash offers with no obligation to sell
Comparison to Other Selling Options:
Guitar Shops: Typically offer wholesale pricing (40-50% of retail value)
Online Auctions: Risky with potential for non-payment or damage
Consignment: Long wait times with no guarantee of sale
Private Sales: Time-consuming with safety and payment concerns
Edgewater Guitars: Fair market pricing with immediate, secure transaction
Ready to get a professional evaluation of your 1968 ES-335? Contact Edgewater Guitars today for your free, no-obligation assessment.
Related Resources and References
Serial Number and Dating Resources:
Additional Reading:
Related Edgewater Guides:
How to Sell Your Vintage Gibson Guitar
Understanding ES-335 Value Factors
Gibson Authentication and Verification Services
Vintage Guitar Market Trends and Analysis
Recent Purchase Example
Customer Success Story: We recently purchased an excellent condition 1968 ES-335 in original cherry finish from a collector in Columbus, Ohio. The guitar featured all-original Patent Number pickups, original case, and even retained its original hang tag from the dealer. After providing a comprehensive evaluation, our offer exceeded the owner's expectations by more than $800 compared to quotes from local music stores.
The seller appreciated our knowledge of the specific features that make 1968 ES-335s valuable, including the long neck tenon construction and transitional pickup specifications. Our streamlined process allowed the transaction to complete within 48 hours, with secure payment and professional packaging for shipping.
"I was amazed at how much more Edgewater offered compared to the local shops. They clearly understood what made my 1968 ES-335 special and valued it accordingly. The process was professional and efficient from start to finish." - Mark S., Columbus, OH
Contact Edgewater Guitars Today
Edgewater Guitars serves vintage guitar owners throughout Ohio, Michigan, Pennsylvania, Indiana, and West Virginia. We travel to evaluate high-value instruments like vintage ES-335s and provide secure, professional transactions.
Get Your Free Evaluation:
Phone: (440) 219-3607
Email: info@edgewaterguitars.com
Online: Complete our secure evaluation form
In-Person: Schedule an appointment at our Ohio location
Don't let your valuable 1968 ES-335 sit unplayed in its case. Contact Edgewater Guitars today to discover its true market value and explore your selling options. With our expertise in vintage Gibson guitars and commitment to fair pricing, we're the premier choice for ES-335 owners throughout the Midwest.
Service Areas: Cleveland, Columbus, Cincinnati, Detroit, Pittsburgh, Indianapolis, Charleston, and surrounding metropolitan areas.
About the Author: The Edgewater Guitars team has over 20 years of experience in vintage guitar authentication, evaluation, and purchasing. Our specialists have handled hundreds of vintage ES-335s and maintain current market knowledge through active participation in the vintage guitar community.