1963 Lake Placid Blue Fender Jaguar: Rare Custom Color from Fender's Golden Era

Why the 1963 Lake Placid Blue Jaguar Matters

The 1963 Fender Jaguar in Lake Placid Blue represents a convergence of rarity factors that makes it one of the most sought-after vintage Fender instruments. This was only the second year of Jaguar production, a time when Leo Fender's team was still perfecting what would become Fender's most sophisticated and complex offset guitar. Combined with Lake Placid Blue—one of Fender's most desirable custom colors from the pre-CBS era—these instruments command extraordinary attention from collectors and players alike.

What makes a 1963 Lake Placid Blue Jaguar special:

• Second year of production - Manufacturing refinements over the 1962 debut while retaining all original specifications

• Pre-CBS pedigree - Built two years before the CBS acquisition that changed Fender's manufacturing approach

• Custom color rarity - Lake Placid Blue orders represented less than 5% of total Jaguar production

• Matching headstock - Factory-applied Lake Placid Blue finish on the headstock face increases rarity and collectibility

• Slab rosewood fingerboard - The thick, flat-bottom rosewood board used through mid-1962 into early 1963

• Transitional features - 1963 saw several specification changes making early vs. late production examples distinct

• Peak Fender craftsmanship - Fullerton factory at its height of quality before mass production changes

The combination of the Jaguar's already limited production numbers with the additional rarity of a custom color finish makes these instruments exceptionally uncommon in today's vintage market.

Historical Context: 1963 at Fender

The Pre-CBS Golden Era

1963 represents the final years of Leo Fender's independent company before the CBS acquisition in January 1965. This period is universally regarded as the pinnacle of Fender quality, with experienced craftsmen using premium materials and time-tested manufacturing processes. The Fullerton, California factory operated with what collectors now recognize as ideal production standards—neither the experimental phases of the 1950s nor the cost-cutting measures that would come with corporate ownership.

The Jaguar's Place in the Lineup

Introduced in 1962, the Jaguar was Fender's top-of-the-line model, priced higher than the Stratocaster or Telecaster. Fender marketed it as their most advanced guitar, featuring:

• Shorter 24" scale length for easier playability

• Complex switching system with rhythm circuit

• Floating tremolo with lock mechanism

• Chrome mute mechanism

• More elaborate aesthetics than other Fender models

The model was designed to appeal to surf guitarists and players seeking a brighter, more aggressive tone than the Stratocaster could provide. Its complexity and higher price point meant production numbers remained relatively modest—a factor that significantly impacts collectibility today.

Custom Colors in 1963

Fender's custom color program reached its mature phase by 1963. The company offered a standardized palette of Duco automobile lacquers from DuPont, including Lake Placid Blue as one of the premium metallic finishes. These custom colors added 5% to the guitar's base price, a modest upcharge that nonetheless limited their popularity among original purchasers.

Lake Placid Blue specifically took its name from the 1960 Winter Olympics venue and was one of several colors Fender borrowed from automotive finishes. The metallic particles in the finish create the signature sparkle that has become iconic in vintage Fender collecting.

Current Market Status and Collectibility

Market Position

1963 Lake Placid Blue Jaguars occupy the upper tier of vintage Fender collectibility, though specific valuations vary significantly based on condition, originality, and matching headstock presence. These instruments consistently rank among the most desirable custom color Fenders from the pre-CBS era.

Key Value Factors:

• Originality - All-original examples with matching headstocks command substantial premiums over refinished or modified instruments

• Finish condition - Lake Placid Blue's metallic nature shows wear patterns distinctly; excellent finish preservation dramatically impacts value

• Slab vs. veneer board - Early 1963 examples with thick slab rosewood boards are more sought-after than later veneer examples

• Completeness - Original mute mechanism, trem cover, and other factory appointments significantly affect desirability

• Documentation - Original case, hang tags, and sales receipts add historical provenance

• Famous provenance - Celebrity ownership or recording history can multiply desirability

Comparison to Other Finishes:

Within the Jaguar line, Lake Placid Blue ranks among the most desirable custom colors alongside Sonic Blue, Burgundy Mist, and Sherwood Green. Standard sunburst finishes, while beautiful and collectible, don't command the same premium that factory custom colors achieve.

Edgewater's Advantage:

At Edgewater Guitars, we specialize in evaluating vintage Fender custom colors and consistently pay substantially more than traditional guitar shops for premium examples. Our expertise in authentication means we can recognize and reward originality that less specialized buyers might overlook.

Recent Market Trends

The market for pre-CBS custom color Fenders has shown consistent strength over the past decade, with Lake Placid Blue consistently ranking among the most sought-after finishes. Jaguar models have experienced particular appreciation as collectors recognize their relative rarity compared to Stratocasters and Telecasters from the same period.

Comprehensive Identification Guide

Serial Number Dating

1963 Jaguars typically carry serial numbers in the L00000 through L29000 range, stamped on the neck plate at the back of the body where the neck attaches. The "L" prefix was introduced in late 1963, meaning:

• Early 1963 models - May have serial numbers in the 80000-99000 range (continuation from 1962)

• Late 1963 models - Will have L-prefix serial numbers

To verify your Jaguar's production date, use our comprehensive Fender Serial Number Lookup Tool which cross-references multiple dating methods.

Important Note: Serial numbers alone don't definitively date a Fender. Always cross-reference with neck dates and potentiometer codes for accurate authentication.

Neck Date Authentication

The most reliable dating method involves the pencil or ink stamp on the neck heel (visible when the neck is removed from the body). 1963 neck dates appear in several formats:

• "1-63" through "12-63" - Month and year format

• "1 FEB 63B" - Month name with year

• "2-4-63" - Full date format (less common)

The neck date represents when the neck was finished, not necessarily when the complete guitar was assembled. Guitars with necks dated late 1962 or early 1964 can still be legitimate 1963 instruments, as Fender drew from existing neck inventory during assembly.

Potentiometer Code Dating

1963 Jaguars used Stackpole potentiometers with codes that reveal manufacture date:

Code Format: 304YYWW

• 304 = Stackpole manufacturer code

• YY = Last two digits of year (62, 63, or 64 are acceptable for 1963 guitars)

• WW = Week of manufacture (01-52)

Example: 304-6318 = Stackpole pot from the 18th week of 1963

Authentic 1963 Jaguars may have pots dated:

• Late 1962 (pulled from parts inventory)

• Throughout 1963 (most common)

• Early 1964 (on very late 1963 guitars)

Pots dated after mid-1964 or before mid-1962 suggest replacement parts or incorrect dating.

Lake Placid Blue Finish Authentication

Authenticating original Lake Placid Blue finish requires examining multiple factors:

1. Undercoat Examination

Genuine Lake Placid Blue Fenders have a Desert Sand (yellow) sealer coat applied before the color coat. This is visible:

• In the tremolo cavity

• Around filled screw holes (if present)

• In any chips or wear areas down to wood

• In the neck pocket (sometimes)

2. Metallic Particle Consistency

Original Lake Placid Blue contains aluminum metallic flake that:

• Appears evenly distributed throughout the finish

• Shows a consistent sparkle pattern under light

• Has aged uniformly (no sections with different metallic density)

• Displays period-correct particle size and distribution

3. Color Authenticity

Genuine 1963 Lake Placid Blue exhibits:

• Medium blue with metallic sparkle (not solid blue)

• Slight greenish undertone in certain lighting

• Aging that shifts slightly toward gray or faded appearance

• UV checking patterns consistent with nitrocellulose lacquer

4. Masking Tape Evidence

Many custom color Fenders retain remnants of masking tape in:

• The tremolo cavity with color codes or painter's marks

• The neck pocket (occasionally)

• Control cavity (rare)

These markings, while not present on all original custom colors, provide strong authentication when found.

5. Overspray Patterns

Original factory custom colors show characteristic overspray:

• Slight color in the neck pocket edges

• Light overspray inside the tremolo cavity

• Professional, even application without drips or heavy buildup

• Correct spray pattern consistent with 1960s factory technique

Matching Headstock Verification

Lake Placid Blue Jaguars often featured factory-painted matching headstocks. Authenticating these requires checking:

Front Face:

• Finish should match body color exactly

• Metallic flake density should be consistent

• Decal should be applied over color but under clear coat

• Edges should show proper factory masking technique

Back of Headstock:

• Natural wood finish (not painted)

• Clear delineation between painted front and natural back

• No overspray onto the back face (indicates careful factory masking)

Decal Examination:

• Gold "spaghetti" Fender logo with two patent numbers below

• Decal should be slightly yellowed with age

• No bubbling or modern reproduction appearance

• Properly centered and aligned (factory application was precise)

Hardware and Component Authentication

Original Pickups:

1963 Jaguar pickups feature:

• White plastic covers (aged to cream/yellow)

• Metal claw-style pole pieces ("metal tooth" design)

• Gray bottom fiber plate

• Formvar-insulated wire

• Approximately 6.5-7.5k ohms resistance per pickup

• Date stamps on the bottom (visible when removed)

Bridge and Tremolo:

• Chrome-plated floating tremolo with spring-loaded mechanism

• Original Fender "F" stamped bridge with individual saddles

• Lock button mechanism on tremolo arm

• Mute mechanism with foam pads (often deteriorated or missing)

Tuners:

• Kluson Deluxe tuners with "Kluson Deluxe" stamping

• Single-line configuration on the headstock

• Original plastic buttons (aged to cream/yellow)

• Metal bushings showing appropriate wear

Pickguard:

• Tortoiseshell celluloid nitrate material (turns green with age)

• 4-ply construction (tort/white/black/white)

• Period-correct shielding paint on underside

• Proper screw hole configuration for 1963 model

Control Plate and Knobs:

• Chrome control plate with complex switching layout

• Original "witch hat" knobs (black or brown)

• Proper control configuration: volume, tone, rhythm volume, rhythm tone

• Sliding switches for pickup selection and tone circuits

Detailed Physical Specifications

Understanding the exact specifications helps authenticate and appreciate these instruments:

Body Construction

• Wood: Alder (sunburst, custom colors) or Ash (blonde finishes)

• Weight Range: Typically 7.5-8.5 pounds (lighter than Stratocasters)

• Body Thickness: 1-3/4" at rim

• Body Width: 14" at lower bout

• Cutaway: Offset asymmetrical double cutaway design

• Contours: Deep belly and forearm contours for comfort

Neck Specifications

• Wood: One-piece maple with separate rosewood fingerboard

• Profile: "C" shape, medium thickness (transitional between fat 50s and slim 60s)

• Width at Nut: 1-5/8" (narrower than Stratocaster)

• Scale Length: 24" (shorter than Strat/Tele's 25.5")

• Frets: 22 frets, vintage wire (narrow and low by modern standards)

• Fingerboard Radius: 7.25" (vintage spec)

• Fingerboard Material: Brazilian rosewood (slab board early 1963, veneer later)

• Inlay Material: Clay dot position markers

• Neck Attachment: 4-bolt neck plate with micro-tilt adjustment

Electronics Configuration

• Pickups: Two single-coil pickups with metal pole pieces

• Controls:

  • Lead circuit: Volume, Tone

  • Rhythm circuit: Volume, Tone (engaged via slide switch)

• Switching:

  • 3-position slide switch: Neck / Neck+Bridge / Bridge

  • Rhythm circuit on/off slide switch

  • Strangle switch (rolls off bass frequencies)

• Output Jack: Standard 1/4" jack on control plate

• Capacitors: "Grey Tiger" .05 mfd capacitors (lead circuit)

Hardware Specifications

• Bridge: Floating tremolo with lock mechanism

• Tailpiece: Integrated with tremolo assembly

• Tuners: Kluson Deluxe, 6-in-line configuration

• String Tree: Single round string tree for high E and B strings

• Nut: Bone (original spec)

• Pickguard: Tortoiseshell celluloid, 4-ply

• Knobs: Witch hat style (black or brown)

• Plating: Chrome hardware throughout

The Lake Placid Blue Color: A Fender Icon

Color History and Application

Lake Placid Blue debuted in Fender's custom color program around 1960, joining the initial wave of DuPont automotive lacquers Fender adopted. The finish was named after the 1960 Winter Olympics venue in Lake Placid, New York, reflecting Fender's practice of using contemporary cultural references for color names.

Application Process:

1. Sealer coat - Desert Sand (yellow) sanding sealer applied to prepared wood

2. Color coats - Multiple coats of Lake Placid Blue with metallic flake

3. Clear coats - Nitrocellulose lacquer clear coats for protection and depth

4. Wet sanding - Between coats for smooth surface

5. Final buffing - Hand buffing to achieve mirror finish

This multi-step process required skilled painters and significantly increased labor time, justifying the 5% upcharge for custom colors.

Aging Characteristics

Original Lake Placid Blue finishes exhibit distinctive aging patterns:

Checking/Crazing:

• Fine hairline cracks in the finish (more prominent on older instruments)

• Spider-web patterns particularly on the back and sides

• Checking intensity varies based on storage conditions and climate exposure

Color Shift:

• Slight fading toward lighter blue or grayish tones

• UV exposure accelerates fading

• Finish may appear less vibrant than when new but retains metallic sparkle

Wear Patterns:

• Forearm wear on upper bout edge

• Belt buckle wear on back

• Pick wear near pickguard edge

• Playing wear at neck heel contact point

Clear Coat Ambering:

• Nitrocellulose clear coats yellow with age

• Creates subtle warmth over the blue base color

• More pronounced on instruments exposed to UV light

Comparison to Other Blue Finishes

Fender offered several blue custom colors in the early 1960s:

Sonic Blue:

• Solid (non-metallic) light blue

• Brighter, more pastel appearance

• No metallic flake

• Often shows more yellowing from clear coat ambering

Daphne Blue:

• Solid medium blue

• Similar tone to Lake Placid but without metallic content

• Less complex appearance

• More prone to looking greenish as clear coat ambers

Ocean Turquoise:

• Blue-green metallic finish

• Contains metallic flake like Lake Placid Blue

• More green undertone

• Similar aging characteristics to Lake Placid Blue

Lake Placid Blue's metallic nature and medium tone make it particularly versatile and photogenic—appearing slightly different under various lighting conditions, which contributes to its enduring appeal.

Tonal Characteristics of the 1963 Jaguar

The Jaguar Voice

The 1963 Jaguar produces a distinctive tonal signature that differs notably from Stratocasters and Telecasters:

Core Tone:

• Bright, cutting high end with prominent upper-midrange

• Focused low-end response (less boomy than Stratocasters)

• Articulate note separation

• Quick transient attack

• Slightly compressed natural dynamics

Scale Length Impact:

The 24" scale (1.5" shorter than Strat/Tele) affects tone and feel:

• Less string tension at standard tuning

• Slightly "looser" feel under the fingers

• Enhanced midrange presence

• Easier string bending

• Warmer fundamental tone than 25.5" scale guitars

Pickup Character:

Jaguar single-coils differ from Stratocaster pickups:

• Metal claw pole pieces create brighter, more aggressive tone

• Focused frequency response emphasizing presence frequencies

• Less vintage "quack" than Strat pickups

• More direct, punchy attack

• Excellent clarity for rhythm playing

Circuit Complexity and Tonal Options

The Jaguar's switching system offers remarkable tonal versatility:

Lead Circuit:

• Bridge pickup: Cutting, bright tone ideal for cutting through mix

• Both pickups: Fuller, more complex tone with phase interaction

• Neck pickup: Warmer, rounder tone while retaining clarity

Rhythm Circuit:

• Separate volume and tone controls

• Built-in bass roll-off for jangly, compressed rhythm tones

• Quick switching between lead and rhythm sounds

• Originally designed for jazz players requiring instant tone changes

Strangle Switch:

• Activates a capacitor that rolls off bass frequencies

• Creates thin, cutting tone

• Useful for specific sonic applications

• Adds additional tonal option to already versatile palette

Recording and Stage Presence

1963 Jaguars excel in both studio and live environments:

Studio Applications:

• Pristine direct-in tones for clean rhythm parts

• Excellent response to compression

• Cuts through dense mixes without harshness

• Works well with period-appropriate amplification

• Responds dynamically to playing touch

Live Performance:

• Projecting tone that maintains clarity at volume

• Feedback resistance superior to semi-hollow instruments

• Visual appeal of custom color finish

• Comfortable body for extended playing sessions

• Tremolo allows for surf-style vibrato effects

Notable Recordings and Artists

While the Jaguar never achieved the ubiquity of Stratocasters, notable players discovered its unique voice:

Surf Music: The Jaguar became synonymous with surf music in the early 1960s, with its bright, cutting tone perfect for the genre's requirements.

Alternative and Indie Rock (Later Adoption): Decades after production, the Jaguar found new appreciation with alternative musicians valuing its unique tonal character and offset aesthetic.

Contemporary Collectors: Modern players increasingly appreciate the 1963 Jaguar's distinctive voice, recognizing it as a legitimate alternative to more common vintage Fender models.

Common Issues and Condition Factors

Typical Problems with Vintage Jaguars

1. Tremolo System Issues

The complex floating tremolo often presents problems:

• Lost trem lock button - Frequently missing on vintage examples

• Worn tremolo cavity bushings - Causes play in tremolo assembly

• Broken or weak tremolo springs - Affects stability and feel

• Corroded tremolo plate - Impacts sustain and tuning stability

2. Mute Mechanism Problems

The factory mute system commonly fails:

• Deteriorated foam pads - Original foam disintegrates over decades

• Bent or broken mute arm - Fragile mechanism prone to damage

• Missing components - Many mutes removed entirely by previous owners

• Corrosion of chrome parts - Affects appearance and function

3. Electronic Issues

Complex wiring creates multiple failure points:

• Deteriorated cloth wiring - Original cloth-covered wire becomes brittle

• Failed capacitors - Grey Tiger caps can deteriorate

• Dirty switches - Multiple slide switches accumulate corrosion

• Scratchy potentiometers - 60-year-old pots often need cleaning or replacement

• Pickup degradation - Rare but possible magnet weakening or coil issues

4. Structural Concerns

Neck Pocket Issues:

• Gaps or movement in neck pocket (affects tone and tuning stability)

• Stripped neck screw holes

• Micro-tilt adjustment seized or broken

Finish Problems:

• Extensive checking or crazing (normal aging vs. structural issues)

• Buckle rash on back (common cosmetic wear)

• Headstock face chipping (especially around tuners)

• Body edge chips (particularly on binding)

Bridge and Intonation:

• Individual saddle height screws stripped or broken

• Intonation adjustment screws corroded

• Bridge movement in body (worn mounting holes)

Modifications That Affect Value

Severe Impact Modifications:

• Refinishing - Perhaps the single most detrimental modification, especially over original custom colors

• Routed pickup cavities - Any modification to original routing pattern

• Headstock repairs - Breaks significantly impact value even when expertly repaired

• Neck replacement - Non-original neck eliminates much of the instrument's value

• Added controls or switches - Extra holes drilled in body or pickguard

Moderate Impact Modifications:

• Replaced pickups - Original pickups are important for authenticity

• Refret with incorrect wire - Should use vintage-spec wire for proper restoration

• Replaced electronics - Original pots, caps, and wiring add value

• Aftermarket tremolo parts - Original Fender parts preferred

• Replaced tuners - Kluson Deluxe originals significantly more valuable

Minor Impact Modifications (Often Acceptable):

• Professional refret with correct wire - Necessary maintenance on played instruments

• Nut replacement - Expected wear item, properly fitted bone nut acceptable

• Setup adjustments - Truss rod adjustments, action adjustments normal

• Pickup height adjustment - Non-invasive and reversible

• Case replacement - Original case valuable but replacement acceptable

Restoration Considerations

When to Restore vs. Preserve:

For collectors and Edgewater's purchase evaluation:

Preserve Original Condition:

• Finish checking and age-appropriate wear

• Minor electronics issues that don't affect function

• Cosmetic imperfections that don't affect structural integrity

• Period-correct wear patterns ("honest wear")

Consider Professional Restoration:

• Structural issues affecting playability

• Failed electronics requiring complete rewiring

• Neck angle or fret issues making guitar unplayable

• Missing components that can be authentically replaced

Important: Any restoration should use period-correct parts and techniques. Modern shortcuts dramatically impact collectibility and value. Edgewater works with experienced vintage guitar technicians who understand proper restoration protocols.

Why Collectors Value the 1963 Lake Placid Blue Jaguar

Rarity Factors

Multiple layers of scarcity combine to make these instruments highly collectible:

Production Numbers:

• Total Jaguar production in 1963: Estimated 2,000-3,000 instruments

• Custom color orders: Approximately 5-10% of total production

• Lake Placid Blue specifically: Roughly 1-2% of total production

• Estimated surviving examples in excellent original condition: Fewer than 50 worldwide

Survival Rate Issues:

Many original Jaguars didn't survive in original condition:

• Surf music players modified instruments extensively

• Fashion changes led to modifications (humbuckers added, finishes changed)

• Complex electronics led to rewiring

• Tremolo systems suffered abuse

• Custom colors viewed as "unfashionable" and refinished in later decades

Investment Perspective

The 1963 Lake Placid Blue Jaguar represents a convergence of investment-grade factors:

Historical Significance:

• Pre-CBS Fender craftsmanship at its peak

• Early production year for an already uncommon model

• Period-correct custom color from the golden era

• Representative of 1960s surf culture

Market Factors:

• Limited supply with strong demand

• Jaguar appreciation trend continuing upward

• Custom color premiums strengthening

• International collector base expanding

Long-term Outlook:

Vintage Fender custom colors have shown consistent appreciation, with Lake Placid Blue ranking among the most desirable finishes. As the pool of available instruments diminishes and collector interest grows, premium examples continue strengthening in the market.

Comparison to Other Investments:

Unlike refinanced or heavily modified examples, all-original Lake Placid Blue Jaguars represent "investment grade" vintage instruments comparable to:

• Pre-CBS custom color Stratocasters and Telecasters

• Early Gibson Les Paul Standards

• Pre-war Martin dreadnoughts

• Other blue-chip vintage instruments with established collecting histories

Playing Value Beyond Investment

Beyond collectibility, 1963 Jaguars offer tangible playing benefits:

Ergonomics:

• Comfortable offset body design

• Ideal weight for extended playing

• Well-balanced on a strap

• Excellent upper fret access

Versatility:

• Broad tonal range from rhythm circuit

• Suitable for multiple musical styles

• Recording-friendly voice

• Unique tonal signature unavailable from other models

Historical Connection:

• Playing an instrument from rock and roll's golden era

• Tangible connection to 1960s music culture

• Authentic period-correct sound

• Living piece of musical history

Lake Placid Blue Across the Fender Line

Other Lake Placid Blue Models from the Era

While focusing on the 1963 Jaguar, it's valuable to understand how Lake Placid Blue appeared across Fender's line during the pre-CBS era:

Stratocaster in Lake Placid Blue (1960-1965)

The Stratocaster represents Fender's most popular model, making Lake Placid Blue Strats more common than Jaguars but still highly desirable:

1960-1962 Stratocasters:

• Slab rosewood fingerboard

• Three-tone sunburst or custom colors

• Clay dot inlays

• Matching headstock on custom colors

• Serial numbers in 40000-80000 range

1963-1965 Stratocasters:

• Veneer rosewood fingerboard (mid-1962 onward)

• Clay dots continuing through 1964

• Pearl dots beginning 1965

• L-prefix serial numbers (late 1963)

• Transition to larger headstock in late 1965

Identifying Features:

• Lake Placid Blue Strats share the same Desert Sand undercoat

• Matching headstock increases desirability significantly

• Three single-coil pickups vs. Jaguar's different pickup design

• Longer 25.5" scale length

• Traditional tremolo vs. Jaguar's floating system

Market Position: Lake Placid Blue Stratocasters from 1960-1965 command premium prices, with matching headstock examples particularly sought-after. The larger production numbers mean more examples survive, but demand remains extremely strong.

Resources: Use our Fender Serial Number Lookup Tool to verify your Stratocaster's production date.

Telecaster in Lake Placid Blue (1960-1965)

Lake Placid Blue Telecasters are rarer than Stratocasters, as Telecaster buyers tended toward traditional finishes:

Distinctive Features:

• Ash or alder body depending on finish

• Single-cutaway design

• Two single-coil pickups

• Fixed bridge with brass saddles

• Bolt-on maple neck

• Matching headstock on custom color examples

Special Characteristics:

• Lake Placid Blue particularly striking on Telecaster's clean lines

• Shows metallic flake beautifully on large body surfaces

• Often found with bound bodies (Custom Telecaster)

• Three-ply white pickguard common in this era

Rarity: Custom color Telecasters represent a small fraction of production, making Lake Placid Blue examples especially uncommon. Many collectors consider these among the most aesthetically pleasing vintage Fenders.

Precision Bass in Lake Placid Blue (1960-1965)

The Precision Bass in Lake Placid Blue offers four-string collectors a rare opportunity:

Key Features:

• Split-coil pickup configuration (introduced 1957)

• Contoured body similar to Stratocaster

• Larger, heavier body than guitars

• Matching headstock on custom colors

• 34" scale length

Identification Points:

• Anodized pickguard (1957-1959, turning gold with age)

• Tortoiseshell pickguard (1959-1965)

• Rosewood fingerboard introduction (1959)

• Clay dot inlays

• Stack-knob controls (rare) or side-by-side controls

Market Considerations: Lake Placid Blue Precision Basses are exceptionally rare. The custom color combined with the P-Bass's already smaller production numbers creates significant scarcity.

Jazz Bass in Lake Placid Blue (1960-1965)

The Jazz Bass debuted in 1960, making Lake Placid Blue examples available throughout the pre-CBS era:

Unique Features:

• Offset body design (influenced the Jaguar)

• Two single-coil pickups

• Narrower neck than Precision (1.5" at nut)

• Stack-knob controls (1960-1961, highly collectible)

• Three-knob controls (1962-1965)

• Bound fingerboard with block inlays (available as option)

Stack-Knob Era (1960-1961): Lake Placid Blue Jazz Basses with stack-knob controls represent the holy grail of vintage Fender basses:

• Concentric volume/tone controls for each pickup

• Extremely limited production

• Chrome knobs

• Fewer than 50 estimated in Lake Placid Blue

Later Examples (1962-1965):

• Three-knob layout (volume/volume/tone)

• Matching headstock common

• Some with bound fingerboards

• Clay dots standard, blocks optional

Collecting Perspective: Lake Placid Blue Jazz Basses, particularly stack-knob examples, command extraordinary prices and represent the pinnacle of vintage Fender bass collecting.

Jazzmaster in Lake Placid Blue (1958-1965)

The Jazzmaster predated the Jaguar and shares some design DNA:

Distinctive Characteristics:

• Offset body design (prototype for Jaguar)

• Larger single-coil pickups than Jaguar

• Floating tremolo (different design than Jaguar's)

• Rhythm circuit with separate controls

• 25.5" scale length (longer than Jaguar's 24")

Comparison to Jaguar:

• Jazzmaster has warmer, fuller tone than Jaguar

• Larger body size

• Simpler switching than Jaguar

• Different pickup design and tone

• More common than Jaguars but still relatively rare

Lake Placid Blue Specifics:

• Anodized gold pickguard (1958-1959)

• Tortoiseshell pickguard (1959-1965)

• Matching headstock on custom colors

• Same Desert Sand undercoat as other Fenders

Market Position: Lake Placid Blue Jazzmasters occupy a similar collectibility tier to Jaguars, with slight variations based on specific year and features.

Selling Your Lake Placid Blue Fender

Why Edgewater Guitars for Vintage Fenders

At Edgewater Guitars, we've built our reputation on expertise in vintage Fender instruments, particularly custom colors from the pre-CBS era. Here's why sellers throughout Ohio, Michigan, Pennsylvania, Indiana, and West Virginia choose us:

Specialized Knowledge:

Unlike general music stores, we possess deep expertise in:

• Custom color authentication

• Period-correct finish identification

• Undercoat verification

• Neck dating cross-referencing

• Potentiometer code interpretation

• Hardware originality assessment

• Transitional feature recognition

This specialized knowledge means we recognize value that less experienced buyers miss—and we pay accordingly.

Fair Market Valuation:

Our offers consistently exceed guitar shop offers by 30-40% because:

• We understand the custom color premium

• We recognize the Lake Placid Blue premium specifically

• We value originality appropriately

• We assess condition accurately without undervaluation

• We have direct access to serious collectors

Streamlined Process:

Selling your vintage Fender to Edgewater involves:

1. Initial consultation - Discuss your instrument over phone or email

2. Photo submission - Send detailed photos for preliminary assessment

3. Serial number verification - We cross-reference using our Fender Serial Number Lookup Tool

4. In-person evaluation - For premium instruments, we travel to you

5. Immediate offer - Fair market offer based on comprehensive assessment

6. Instant payment - Cash or immediate transfer, your choice

No Hassles, No Fees:

• No consignment waiting periods

• No seller fees or commissions

• No shipping risks

• No dealing with tire-kickers or lowball offers

• No photography or listing requirements

• No payment processing delays

What We Look for in Lake Placid Blue Fenders

When evaluating custom color Fenders, we examine:

Finish Authenticity:

• Desert Sand undercoat verification

• Period-correct metallic flake

• Proper aging characteristics

• Factory-correct application technique

• Original clear coat checking patterns

Originality:

• All original parts

• Unmodified electronics

• Original pickups

• Factory hardware

• Matching serial numbers and date codes

Condition Assessment:

• Finish preservation

• Structural integrity

• Electronic functionality

• Fret condition

• Hardware condition

• Case inclusion

Documentation:

• Original case increases value

• Hang tags or paperwork

• Provenance information

• Service history (if available)

Comparing Selling Options

Edgewater Guitars vs. Local Guitar Shops:

Local shops typically offer 40-60% of market value because:

• They need substantial markup for retail resale

• They lack specialized custom color expertise

• They have limited buyer networks for premium pieces

• They may not recognize originality value

Edgewater offers 30-40% more because we:

• Work with serious collectors directly

• Specialize in this exact market segment

• Recognize authentic value

• Don't need retail markup

Edgewater Guitars vs. Online Marketplaces:

Selling on Reverb, eBay, or Craigslist involves:

• Photography and detailed listing creation

• Weeks or months waiting for qualified buyers

• Lowball offers and negotiations

• Shipping risks for valuable instruments

• Payment processing fees (often 10%+)

• Scam potential

• No guaranteed sale

Edgewater provides:

• Immediate cash offer

• No waiting period

• No listing fees

• No shipping risks

• Professional evaluation

• Guaranteed completion

Edgewater Guitars vs. Auction Houses:

Auction houses charge:

• 15-25% seller's commission

• Photography fees

• Insurance costs

• 60-90 day waiting periods

• No guarantee of sale

• Minimum reserve requirements

Edgewater offers:

• Zero seller fees

• Immediate transaction

• Guaranteed sale at agreed price

• Personal, professional service

Regional Service for Midwest Sellers

Edgewater Guitars serves vintage Fender owners throughout:

Ohio:

• Cleveland

• Columbus

• Cincinnati

• Akron

• Toledo

• Dayton

Michigan:

• Detroit

• Grand Rapids

• Ann Arbor

• Lansing

• Kalamazoo

Pennsylvania:

• Pittsburgh

• Erie

• State College

Indiana:

• Fort Wayne

• South Bend

• Indianapolis (metro area)

West Virginia:

• Wheeling

• Morgantown

• Charleston

For premium Lake Placid Blue Fenders, we travel to you for in-person evaluation, ensuring safe, secure transactions without shipping risks.

Authentication Resources and Tools

Fender Serial Number Lookup

Our comprehensive Fender Serial Number Lookup Tool provides:

• Serial number date range verification

• Cross-referencing with neck dates

• Potentiometer code interpretation

• Transitional feature identification

• Year-specific specification lists

• Known serial number anomalies

This free tool helps vintage Fender owners:

• Verify instrument age

• Identify transitional features

• Authenticate originality

• Understand market positioning

Related Resources

For Jaguar Owners:

• Jaguar-specific identification guides

• Tremolo system maintenance guides

• Original specification references

• Authentication checklists

For Custom Color Collectors:

• Complete Fender custom color timeline

• Color code references

• Undercoat identification guides

• Aging pattern comparisons

For All Vintage Fender Owners:

• Potentiometer code decoder

• Neck date format guide

• Hardware identification resources

• Period-correct parts references

Recent Purchases: Lake Placid Blue Success Stories

1963 Lake Placid Blue Jaguar - Cleveland, Ohio

We recently acquired an all-original 1963 Lake Placid Blue Jaguar from a Cleveland collector who inherited it from his father. The instrument featured:

• Matching headstock in excellent condition

• All original electronics and hardware

• Slab rosewood fingerboard

• Complete mute mechanism (rare)

• Original brown Tolex case

• Hang tags and original paperwork

After providing a thorough evaluation and authentication, we made an immediate cash offer that exceeded the seller's expectations significantly—our offer was nearly 40% higher than quotes from local music stores who hadn't recognized the slab board significance or properly valued the matching headstock.

The seller appreciated:

• Professional, knowledgeable evaluation

• Same-day in-person inspection

• Immediate payment

• Respectful handling of a family heirloom

• Educational discussion of the instrument's history

1962 Lake Placid Blue Stratocaster - Ann Arbor, Michigan

We purchased this exceptional Stratocaster with:

• Matching headstock

• Slab rosewood fingerboard

• All original electronics

• Minimal playwear

• Original brown Tolex case

The seller had been considering online auction but chose Edgewater after learning about:

• Our custom color expertise

• Immediate payment option

• No seller fees or commissions

• Safe, secure in-person transaction

Our offer substantially exceeded his reserve price for auction and eliminated months of waiting and uncertainty.

1964 Lake Placid Blue Jazz Bass - Pittsburgh, Pennsylvania

This three-knob Jazz Bass featured:

• Matching headstock

• Bound fingerboard with block inlays

• All original hardware

• Excellent finish preservation

• Original case

The seller compared offers from:

• Local music store: Significantly undervalued

• Online marketplace: Weeks of waiting, uncertain outcome

• Edgewater: Immediate fair offer, same-day payment

He chose Edgewater for the combination of fair valuation and immediate, hassle-free transaction.

Conclusion: The Enduring Appeal of Lake Placid Blue

The 1963 Fender Jaguar in Lake Placid Blue represents a perfect convergence of rarity, quality, and aesthetic appeal. These instruments capture a specific moment in American manufacturing history—when Fender operated at peak efficiency, using premium materials, with experienced craftsmen who took pride in their work.

The Lake Placid Blue finish adds another layer of collectibility to an already uncommon model. Its metallic sparkle, distinctive aging characteristics, and association with 1960s surf culture make it one of Fender's most iconic custom colors.

For owners of Lake Placid Blue Fenders—whether Jaguars, Stratocasters, Telecasters, or basses—these instruments represent both:

• Playing instruments with unique tonal characteristics and historical significance

• Collectible investments with demonstrated appreciation and strong market demand

Ready to Discuss Your Lake Placid Blue Fender?

If you own a Lake Placid Blue Fender from the pre-CBS era, Edgewater Guitars would be honored to evaluate your instrument. Our expertise in custom color authentication and vintage Fender valuation ensures you receive fair market value.

Contact Edgewater Guitars:

• Phone: (440) 219-3607

• Get Your Free Valuation: Submit photos and details for preliminary assessment

• Geographic Service: Ohio, Michigan, Pennsylvania, Indiana, West Virginia

• Travel Available: We come to you for premium instruments

Additional Resources

Serial Number Verification:

• Fender Serial Number Lookup Tool - Cross-reference your serial number with production dates

Dating Guides:

• Neck date format reference

• Potentiometer code decoder

• Transitional features timeline

Authentication Guides:

• Custom color verification checklist

• Hardware originality assessment

• Electronics dating guide

Edgewater Guitars specializes in purchasing vintage Fender instruments, with particular expertise in pre-CBS custom colors. Our commitment to fair valuations, professional service, and specialized knowledge has made us the premier buyer for vintage guitars throughout the Midwest. Whether you're downsizing a collection, selling an inherited instrument, or simply ready to find your Fender a new home, we provide the expertise and fair market value you deserve.

All specifications and details in this article are based on factory documentation, period-correct references, and hands-on experience with original examples. Market trends and valuations reflect current conditions but may vary based on individual instrument characteristics.